Delete TV gather together video art and experimental films from all over the world and broadcast on partner channels in Europe, Australia and U.S.A. The most eye and mind-bending films selected every year get also screened all over Europe during art related events. Every year there is an over all winner which is awarded with an Art Prize created by a commisioned artist.
The authors and curators of Delete TV are Michael Murnau and Annalisa Cosentino.
Delete TV at the contemporary art ruhr, media art fair 2017 (Program)
Giorgos Efthimiou Don‘t Wake, Eurydice, 00:16:00, Greece Emmanuelle Negre Slit Cam 00:06:00 Jil Guyon WIDOW_Remix, 00:06:58, United States Joe Pisciotta Nefarious (pictured) Luka Fisher 12, 00:02:47, United States Mabby Alam Veiled, 00:02:00, United Kingdom Maxime Contour Illusion, 00:04:30, France Natalia Alfutova PLEASE LISTEN!, 00:03:34, Russian Federation Neil Needleman Passenger Fantasy, 00:06:30, United States (pictured) Paulina Rutman FALL, 00:06:17, Chile Sian Fann Gravitations, 00:05:41, United Kingdom Tara Nelson Babystorm, 00:02:47, United States Tina Willgren Arrived at Scene, 00:03:23, Sweden Dan Inglis L.O.Q.Shun, 00:04:00, New Zealand Ying-Fang Shen In The Waves, Taiwan John T. Williams Four stages of collapes,USA Michael Woods Post Panoptic Gazing, USA
Directors Lounge presents Visuman’s paintings, and videos in collaboration with André Chi Sing Yuen (”GROW”), respectively Marcel Munte (”Wolkenteppich”)
VISUMAN Geometria est archetypus pulchritudinis mundi.
“Visuman shall be the visual man, whose communication skills are principally visual. Visuman is an abstraction; television-head, on- and-off-button-body, cable-legs. Visuman inhabits a world shown in graphs of mathematical functions. Therefore truth is represented at its best. Visuman pictures are recognised as something similar to all attempts to gain knowledge of truth. The self-similarity of non- inear functions in visuman pictures explains the similarity of patterns shown in the artwork of the world’s cultures.”
About
JT lives since 1983 in Berlin, from 1993 until 1997 in Hong Kong.The project Visuman is launched during JT’s travels and stays in Asia, America and Europe. Exhibitors and collectors around the planet love the truth in the forms painted by visuman. The technique of Visuman drawings is Japanese ink on paper or cardboard from 1992 until 2000. The transapparatus picture is a visuman-technique, using a copier to implement a drawing into a new picture. Colour fills form. Since 2000 visuman is painted in acrylics on canvas. Colour folds form. In 2001 the virtual visuman, digitized and generated by the machine, becomes a fellow being in a fractalized world. Form fills form. In 2002 the fractal geometry, evaluated by the virtual visuman on the screen the year before, becomes painted reality on canvas. Form folds form.
Bio
1962 Jörg Tenbrock born in Rheine/Westphalia, Germany 1981-95 university studies in mathematics, economy, geography, cartography, philosophy 1992 unfolding of the project Visuman 2002 unfolding of the project Edamon Namusiv 2009 curator DASLABOR der Experimentalraum Berlin 2012-13 curator gallery Klose Essen 2014-17 assistence project management artfairs BERLINER LISTE, KÖLNER LISTE 2015 unfolding of the project Giorgio Visumani artnetwork 2016 start of the project SMART STAR 2017 artist of Gallery Himmerlich Issinger, Berlin
Directors Lounge at Mitte Media Festival, 5 – 6 May, 2017
The lights are on and the gloves are off for this sensory assault of choicest knock-out punches from around the world of DL. Stories are told, implied or avoided in a rush of shorts spread over two venues and three programs. Everything you need to reactivate undernourished cinema-hungry brain cells will be served up – plenty of DL premiere gems in the bunch, plus other bright lights from a slew of bright minds.
We are pleased to participate in the Mitte Media Festival, a two-day, multi-venue celebration of video, film, publication and performance works through a spectrum of media starting on May 5th and ending on May 6th.
We will be presenting two screenings at Z-Bar, Bergstraße 2, Berlin at 6 pm and 8 pm, presented by André Werner and Kenton Turk: A buffet of tasty tidbits from 10 years of Directors Lounge, films about self -esteem, aliens, art, moms, toasters and the whole universe. An Urban Research program curated by Klaus W. Eisenlohr will take place at the Fata Morgana Gallery.
We will hit you, in the best way possible!
DL at Mitte Media | Program One (80 min) curated by André Werner, 5 May, 6 pm at Z-Bar: all about reception, pictophagia and the autopoietic beauty of images.
Stefan Adamski (PL) Induction 3 min 2007 Neil Needleman (US) Meeskeit 7 min 30s 2009 Jes Benstock (GB) Phosphenes 10 min 2002 Michael Betancourt (US) The Kodak Moment 2 min 2013 Xavi Sala (ES) La Parabólica 12 min 2007 Sasha Waters Freyer (US) An Incomplete History of Pornography, 1979, 8 min 2013 Jean-Gabriel Périot (FR) 21.04.02 9 min, DV, 2002 Faith Holland (US) RIP Geocities 2 min 31s 2011 André Werner (DE) The Custom of Eating Pictures 9 min 1997 Santiago Parres EZO (ES) Sinecdoquanon 7 min 29s 2011 Tokomburu / Zisis Kokkinidis and Ion Papaspyrou (GR) I Am Not Here Now 9 min 30 s 2013
DL at Mitte Media | Program Two (96 min) curated by André Werner, 5 May, 8 pm at Z-Bar: A wild rollercoaster about the eternal question “Have you ever seen an experimental film?”
Alexei Dmitriev (RU) Dubus 4 min 9s, DV, 2005 Coleman Miller (US) Uso Justo 22 min 2005 Matthew Lancit (FR/CA) 16 Reasons Why I Hate Myself 03:32 Alexandru Ponoran (RO) Isac Inca Doarme 17 min 2012 Samuel Blain (GB) In Dreams 3 min 57s 2011 Bryan Konefsky (US) Miss Yummy Yummy 4 min 2012 Guy Maddin (CA) Sombra Dolorosa 7 min 35s Nina Lassila (FI) Günter und Mutti 3 min 17s 2011 (Distributor: AV-arkki) Chema Garcia Ibarra (ES) The Attack of The Robots From Nebula-5 6min 20s 2008 Javier Chillon (ES) Decapoda Shock 9 min 15s 2011 Luca Zuberbuehler (CH) Lothar 13 min 2013 Oliver Smith (GB) Bob by Oliver Smith 2 min 31s 2013
DL at Mitte Media | Program Three, curated by K.W. Eisenlohr (91 min), 6 May, 4 pm at Fata Morgana Gallery: Exploring the boundaries where video art and cinema merge.
James Harrar (UK) Vlaamperd 2014, 5:54min Clemens Fürtler (AT) Bildmaschine 07, Transit 2015 3:30min (silent) Elaine Tedesco (BR) Leme Posto 2011 2:59 min James Edmonds (DE) Movement and Stillness 2015 10:52min (silent) Eric Stewart (US) Rah Rah 2013, 3:58 min Petra Lottje (CN/DE) Questions to the Moon, 2017 4:46min Doris Schmid (DE) LEG- 2012 5:00min Katya Craftsova (IN/DE) Time Conservation 2012, 6:19 min John D´Arcy & Deborah Uhde (DE/UK) Back ande Vor 2014 5:32 min Bernd Lützeler & Kolja Kunt (DE) Unterwegs mit Maxim Gorkiy 2014 10:14 min Sandra Becker 01 (BR/DE) 4 Clips for Loops 2015 01:17min Mélissa Faivre (DE) The Space in Between 2016 11:48min Gabriele Stellbaum (DE) Honest Lies 2011 9:45min Mark Street (US) After Synchromy 2015 5:11min Felix Brassier.Thanos Chrysakis (FR/UK) Day Two Hundred Seventy Nine Trails 2014 4:22min
pictured: “Uso Justo” by Coleman Miller; “Decapoda Shock” by Javier Chillon, “16 Reasons Why I Hate Myself” by Matthew Lancit , “Questions to the Moon” by Petra Lottje
Thursday, 27 April 2017 21:00 Z-Bar Bergstraße 2 10115 Berlin-Mitte
The artist, musician and composer Thanos Chrysakis was born in Athens. He lived for sixteen years in London until he moved to Belarus in 2015. He is a trained musician who performs his music internationally in festivals, in concert halls and alternative places. He always had a strong connection with images and thus has created his own videos, or has found people for sound/image collaborations. Since 2007 he operates the record-label ‘Aural Terrains’ focusing in electroacoustics, composed and improvised music.
The program thus presents the composer/musician – Thanos Chrysakis – working with his own visuals and with the audio-visual collaborations of film director Félix Brassier. In our perception of video, or film, of audio-visual material, sound guides the reception of images, sound creates the continuity of space and time or its disruption more than any visual effect, even though the sound editing rarely comes to the surface of our perception. Chrysakis with his sounds on the other hand loves to work with the thresholds of our perception, with the fragility and ambiguity of sounds, and the edges of discernibility. The images of his films, and of those of Brassier, thus play on a similar congenial level of ambiguity on the picture layer, as Chrysakis’ sounds. The visuals may even take up some of the functions, “music for film” traditionally has: a marker for the continuity of space and time. However, the stream of ambiguous consciousness between industrial urban spaces and dreamy imaginations the films provoke, are a product of a fine tuned balance of sound and image creation.
Michael Ballhaus, the German-born cinematographer—known for using the camera’s movement to give a sense of the psychological and emotional states of a film’s characters—has lent his distinct eye to many of the world’s best filmmakers, perhaps most famously the German wunderkind Rainer Werner Fassbinder, with whom Ballhaus influenced the style of the New German Cinema movement. During the 70s he developed his signature 360-degree tracking shot while working on the claustrophobic melodrama Martha. After Fassbinder’s passing in 1982, Ballhaus went on to work with many other filmmakers (including Martin Scorsese and James L. Brooks), both in Germany and the United States.
After fifty-plus years behind the camera, Michael passed away on 12 April 2017, aged 81. He will be deeply missed.
Mitte Media Festival is pleased to present a three-day, multi-venue celebration of video, film, publication and performance works through a spectrum of media starting on May 5th and ending on May 6th.
The realization of an idea, as it winds its way through the human mind and body, then is communicated to other creative entities, and finally translated and presented in other media is the process from which Mitte Media Festival draws its conceptual energy.
Hosted by Fata Morgana and its partners and presented in a small group of venues in Mitte, Berlin, Mitte Media Festival also shines a light on the neighborhood’s role as a hub of creation and presentation of multi-media work, as well as the start-up culture that often powers these dynamic permutations. The sheer change and transition that has occurred in Mitte in the last 10 years makes the area a perfect example of the collision between the terrestrially creativity and ever-expanding digital processes and platforms.
Book presentations, experimental video shows with discussion and other events will typically be presented in two-hour slots, allowing viewers to encounter a variety of work in a variety of settings. Mitte Media Festival is also planning its own online LIVE STREAM providing viewers across the globe access to selected content.
Mitte Media Festival partners include: FATA MORGANA, Leo Kuelbs Collection, coGalleries, Konstantin Kopietz, Last Night in Berlin, Chased Magazine, BRLO, Directors Lounge, Z-Bar and more.
Sponsored by BRLO, FATA MORGANA, coGalleries, Leo Kuelbs Collection, Z-Bar, Last Night in Berlin, Chased
Morgenröte Im Aufgang (Aurora at its rising or The rising of Dawn) by Max Hopp, Jan Korthäuer, Ronald Steckel and Klaus Weingarten is a cinematic hommage to Jacob Böhme (1575 – 17 November 1624), a German Christian mystic and shoemaker. He was considered an original thinker by many of his contemporaries within the Lutheran tradition, and his first book, commonly known as Aurora, caused a great scandal.
Morgenröte im Aufgang – Hommage à Jacob Böhme directed by Max Hopp, Jan Korthäuer, Ronald Steckel and Klaus Weingarten. | German | 81 min.
One of the directors, Mr. Ronald Steckel, will join the evening.
It is a great pleasure to announce Madame Elga Sorbas, formal Member of the Rainer Maria Fassbinder Ensemble, as our special guest for this evening.
MORGENRÖTE IM AUFGANG – die filmische Hommage an den Mystiker und Philosophen JACOB BÖHME, bringt uns einen der tiefsinnigsten Menschen, die je gelebt haben (E. Bloch) und doch den meisten Deutschen gänzlich unbekannten großen Geist nahe, dessen bedeutendsten Schriften bis heute faszinieren.
Der Visionär Jacob Böhme (1575–1624) ist die unbekannteste, geheimnisvollste und zugleich auf untergründige Weise einflussreichste Gestalt der deutschen Geistesgeschichte. Sein mehrtausendseitiges
philosophisches Werk, ohne das die deutsche Romantik und die deutsche idealistische Philosophie undenkbar wären, ist der Entwurf einer reichen und bis heute in ihrer Tiefe nicht ausgeloteten Anthropologie, Kosmologie und Naturphilosophie.
Kein Dokumentarfilm, kein Spielfilm, kein Essay, — eine eigen-artige filmische Verführung zur Erfahrung unserer zweiten Wirklichkeit, — eine filmische Meditation von zeitloser Wahrheit. Weit mehr als Unterhaltung, bietet der Film, durch seine Botschaften, reformatorische, weltbewegende Kraft. Er ist Offenbarung, gibt Sinn, ist Politik, bietet gedankliche Räume und schafft Orientierung.
Der Berliner Regisseur Ronald Steckel hat, gemeinsam mit den Filmemachern Max Hopp, Jan Korthäuer und Klaus Weingarten, aus der Kraft des “böhmschen Geistes”, in dessen feinster Präzision deutscher Sprache, ein anmutiges, würdiges, geistreiches Filmgemälde geschaffen, gleichsam einmalig für die gesamte Filmgeschichte.
Der Film erhielt 2016 den Deutscher FILMGEIST Preis, verliehen vom FILMGEIST Freundeskreis e.V. und den ROSA MARS FILMPREIS 2016.
Einer der Regisseur Herr Ronald Steckel, wird persönlich anwesend zu sein.
Als Dame des Abends, begrüßen wir Frau Elga Sorbas, Mitglied des Rainer-Werner Fassbinder Ensembles.
Directors Lounge Screening James Edmonds The Material Question Thursday, 24 November 2016 21:00 Z-Bar Bergstraße 2 10115 Berlin-Mitte
“The cinema of James Edmonds (1983) explores the complexities of the real not as a mere substance named ‘reality’ but in its most fluctuating and Turnerian correlation, in those uncertainties that make it impossible to fix it in any specific point in space.”(Toni D’angela, La furia umana 28, 2016)
James Edmonds is an artist filmmaker from the UK living in Berlin and London. His practice centers on a personal poetics in which the nature of recording, when approached from the materiality of analogue film, offers a tangible surface for what is intangible and fleeting – our personal experience, inner worlds, thoughts and reflections.
He has presented screenings and exhibitions at various venues, project spaces, galleries and cinema events, including Fronteira Festival Brasil, The Temenos Screening Kino Xenix Zurich, Another Vacant Space Berlin, Mystetskyi Arsenal Lavra Kiev and ACCEA Armenia. Since 2015 he also curates the monthly film series Light Movement in Berlin.
PROGRAM – Movement and Stillness, 2015, super 8, 11min, colour, silent – Inside Outside, 2008/2015, super8, 6min, colour, soundtrack – Sternwarten der Welt / Sun Documents, 2010-11/2016 (in progress), super8 double projection, 6min, colour, soundtrack – OVERLAND, 2016, super 8, 22min, colour and black+white, soundtrack – Patterns of Summer, (in progress), super8, 3 mins, colour, silent
French filmmaker Jean-Gabriel Périot has screened more movies than any other director at Directors Lounge. Jean-Gabriel has been with us since the very first days, presenting around 16 films during the last years. In 2010 we had a special work show with him attending and introducing his delicate way to work with archival footage.
His latest feature film, A GERMAN YOUTH (une jeunesse allemande), tells the story of the Red Army Fraction, West-Germany, 1965-1977. A story of images and violences; again told solely through original imagery from that time.
Highly recommended for our German speaking friends.
Directors Lounge Screening
Bruno Gularte Barreto 5 Houses
Thursday, 3 November 2016 19:00 Blender & Co Boddinstrasse 32 12053 Berlin U8 Boddinstrasse
The Brazlian director and photographer Bruno Gularte Barreto comes to Berlin to present his new film project “5 Houses”. The idea of “5 Houses” revolves around trying to recreate childhood memories’ images, but it is also a journey through the lives of the people in a small town in the extreme south of Brasil.
5 HOUSES is a feature documentary project portraying the houses and lives of 5 different characters. They talk about life and death, memory, education, prejudice, violence and share their experiences and beliefs. Though they are very diverse people, they share a connection in their relationship with the director`s childhood memories. Each person and house to be portrayed was part of his upbringing throughout his childhood and formative years.
Besides being part of the same array of memories, these characters share another characteristic: the fact they are all, in their own way, “outsiders” in the somewhat narrow-minded place where they live.
During the film, a portrait is revealed, an image of the city itself and the way some people, even-though humble, can help change other people’s lives for the better. In the last house we have a fifth character, who is actually present in the other four segments in the figure of the director – an invisible observer who frames and chooses where, what and who to look at.
Original title: 5 Casas, English title: 5 Houses. Director: Bruno Gularte Barreto Producer: Jessica Luz 50 mins work-in-progress English subtitles Brazil, 2016
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