
I am not a has-been. I am a will be.
R.I.P.
Yony Leyser, director of the documentary William S. Burroughs: A Man Within, which we screened during The 8th Berlin International Directors Lounge, is back with a new project:Desire will set you free, his second feature film, is based on a true story, and at times traveling into the realm of docufiction. The plot follows the relationship of an American writer of Israeli/Palestinian descent and a Russian aspiring artist working as a hustler, offering access to the city’s vibrant queer and underground scenes while examining the differences between expatriate and refugee life.
To set the film free Yony needs your support.
Directors Lounge Screening:
Elaine Tedesco
Whispering
Thursday, 31 July 2014
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte
This is set of videos by Brasilian artist Elaine Tedesco, a selection of works created between 1988 – 2012 and a work in process that she is realizing in Berlin. Divided into 4 groups: Video performances, domestic video notes, conversations and photography, it shows estrangements on looks at the daily life. Elaine Tedesco currently stays in Berlin at an artistic residence promoted by Instituto Goethe.
Artist Links:
http://www.comum.com/elainetedesco/
http://www.goethe.de/ins/br/poa/ver/res/de12352197.htm
Links:
Directors Lounge
http://www.directorslounge.net
Details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de
Directors Lounge Screening:
Philip Widmann und Karsten Krause
Szenario
Thursday, 26 June 2014
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte
Szenario, a collaboration of the filmmakers Philip Widmann and Karsten Krause appears to be a documentation about a love affair; a chronicle of 3 months in fall 1970, when a married man called Hans starts an affair with his secretary, called Monica, also married.
The main character of the film could be called “the suitcase”, though, a collection of notes, photographs, tickets and other papers from a suitcase, apparently collected by “him”, the male lover. The notes conof diary entries, where Hans meticulously wrote down every date he met with Monica, how long they had sex, and in which position they had intercourse. He also added to the record the places and circumstances they met, yet and always in the spare lasistnguage of a book keeper or bank clerk. The typewritten notes are spoken by a female voice, while the film images show passages of urban landscape of Köln, mostly slow tracking shots, some of them from car, and both at night and at day time.
What looks like a straight documentary at first, however, turns out to be something altogether different if the viewer looks more precisely. It turns out to be a sophisticated narration that keeps irritating by indulging the viewer into the immersions of story telling on one hand, and showing doubts on its own media:
contradictions in sound, picture and story telling. The techniques of irritation or Brecht-like alienation effects start right from the beginning. It is thus worth to try a more close reading from the beginning again, of the opening scenes of the film. A young woman with large red glasses starts reading from a script. -*°°*- Full text at richfilm.de
Artist Links:
http://www.workscited.de/
Links:
Directors Lounge
http://www.directorslounge.net
Full program details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de
Almost There: Kim Collmer in Berlin tonight
SOMETHING BIGGER THAN THE SPACE CAN CONTAIN
Kreuzberg Pavillon Saturday April 05th, 2014, 8pm
Something bigger than the space can contain brings together artists from diverse backgrounds in which shifting notions of house are played out from different perspectives: personal, political, economical and relational.
In Kim Collmer’s video, a playful miniature set house is submerged underwater and slowly descends into another realm within which text transmissions between two entities appear on the screen. Between the house’s descent and the textual inter-ference is a meditation on connection, connectivity and relation.
Artists: Kim Collmer
Jennifer Hope Davy
Timea Oravecz
Andrea Schneemeier
Kreuzberg Pavillon
Naunynstraße 53
10999 Berlin
Directors Lounge Screening:
Karl F. Stewart
Impressions in Mind
Photographs and Video
Thursday, 27 March 2014
21:00, Z-Bar, Bergstraße 2, 10115 Berlin-Mitte
Karl F. Stewart makes a mark in digital photography and video with his saturated colors and his rigorous compositions showing urban landscapes. He works with a photographic hybrid combination between still images and videos that do not hide their origin in their photographic concept. After being a documentary photographer in the 70’s in Pittsburgh, his home town, he worked as an English lecturer in Italy for 24 years, before he took up photography again only 5 years ago, now going fully digital.
San Francisco, his next temporary residency after Italy, became his starting point for his relaunch in photography, where he mostly explored the downtown area. Not just the financial district of San Francisco, but a big part of the highly dense urban areas show an amazing economic growth with glossy surfaces and artificial contemporary green landscaping on one hand, and wide spread poverty of homeless people on the other. “The Unearthly Beauty of Simulated Nature in Contemporary Architecture” is Stewart’s most pronounced piece from that period, presented as a video-photo essay. At the same time, the artist started exploring motion-blur and photoshop cut-outs. “Impressions of Movement” is a series of panoramic works that resulted and which he continued in different countries such as USA, Italy and France. The time-based presentation of digital pictures, that seems to be natural to the medium, led to digital video as his preferred medium at the moment. The artist recently moved to Düsseldorf, where he continues exploring landscapes and urban settings in often unearthly colors. Like with “K-20”, showing a small fountain at the K 20 Museum in Düsseldorf, the examinations of urban-nature relations combined with sometimes witty surprising experiments, seem to propel his creative energy most successfully.
Artist Links:
http://kfstewart.com/
http://impressionsofmovement.com/
Links:
Directors Lounge
http://www.directorslounge.net
Full program details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de
Since gifs do in fact move, they can be classified as moving images, earning themselves a chance to shine at Directors Lounge.
You can upload your audience-thirsty animated gifs directly here. We’ll post all entries as they fly in… with the best later receiving a dedicated presentation during DLX.
• Animated gifs can be sent by e-mail or by using this page. (You´ll need to be on tumblr.) Make sure it is no larger than 1MB and no more than 500 pixels wide.
Fish fished at georgeanton77
Urban Research is a special film program during the Berlin International Directors Lounge concerned with urban themes curated by Klaus W. Eisenlohr. For years the urban landscape has been under rapid change. Due to the increased economic pressure and shift towards mono-functional uses of the city, public space more and more vanishes.
The newly awakened interest in old city centers, which is a rather positive development, has also created new demands in conjunction with the deregulations of national and municipal city tasks: the city has mainly become an object for real estate investment.
On the other hand, new waves for urban movements towards a democratic renewal have appeared. A redetermination of public place may have come across, a new protest culture against the complete commercialization of the city has spread in places. Be it called neoliberal, new labor, social democratic, political-islam or post-Maoism, you name I. The radical loss of democratic political influences concerning urban development seems to have found a counter force in a rediscovery of the political space. The above sometimes extreme changes in the urban are also being reflected in creative art and film, or may even find their unique expression in the arts.
continue at Urban Research at Directors Lounge 2014