Leo Kuelbs Collection, tidbits from the Mitte Media Festival in Berlin.

The Leo Kuelbs Collection’s mission is to bring artists together and present them on independent platforms fostering interconnectivity and understanding across all types of boundaries. Towards this end, Leo Kuelbs has worked with well over 1000 artists from most countries in the world. And counting.

Program

Matl Findel Heimweh (Always) 10 min 2015
Matl Findel   Wann fahren wir zur See? 01:28 2008 silent
Thomas Draschan Seegasse  
Franz Reimer The Possibility of an Island pt. V   5:32 min  2016
Christopher Winter
Alien Sex Invaders 06:59 min 1999
Christopher Winter The Next Generation  06:49 min 2000
Kristina Paustian
Wälder & Steppen / Forests & Steppe 2:44 min  2012-2013

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Read more: Directors Lounge at the Contemporary Art Ruhr, May 2017


www.leokuelbscollection.com

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stills: Matl Findel “Wann fahren wir zur See?”, Thomas Draschan “Seegasse”, Franz Reimer’s “Die Möglichkeit einer Insel V”, Kristina Paustian “Wälder & Steppen”, Christopher Winter  “Alien Sex Invaders”

Directors Lounge is pleased to present a selection of silent single channel loops. Works include a restored version of the legendary “Kleine Lobhudelei auf den Monitor” (Little Flattering of the Monitor) 1990, by Cosima Reif (pictured above), next to moving images by Matl Findel and André Werner.

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André Werner, Untitled (Bass, nude) 2005

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Matl Findel, Stromgemälde, St. Alban

Read more: Directors Lounge at the Contemporary Art Ruhr, May 2017

Directors Lounge is pleased to present works created and produced in the context of the medienwerkstatt Berlin (an artist-run project of the BBK Berlin offering production facilities for media artists).

Rythm. Rythm. Rythm. We change the direction to explore. We alienate to interact. The never ending ‘why‘ gives the answers in REtreat. (german version below)

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Artists / Künstler:

Alisa Javits, Anne-May Fossnes, Barbara Deblitz, Betty Böhm, Christa Biedermann, Daniela Butsch, Darko Aleksovski, Elisabeth Molin,  Fellipe Sperk (FELL), Florian Bielefeldt (The Fortunists), Francesco Pace (Tellurico), Gabriele Stellbaum, Gaby Schulze, Hara Shin, Heike Hamann, Helen Anna Flanagan, Herbert Liffers, Insa Langhorst, Jakobine Engel, Karen Thastum (TURA YA MOYA), Laurent Bébin (CARBON CREAM), Lina Walde, Lotte van der Woude, Maria Felix Korporal, Mariel Gottwick, Marissa Rae Niederhauser, Ottjörg A.C., Petra Lottje, Regina Liedtke, Rosanna Chizhova, Sandra Becker 01, Sandra Riche, Simone Häckel, Una Quigley, Verena Kyselka.

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(german version)

Das Screening zeigt Arbeiten, die im Kontext der Medienwerkstatt entstanden sind. Rhythmus, Rhythmus, Rhythmus. Wir ändern die Richtung, um Neues zu erkunden. Wir entfremden uns, um zueinander zu finden. Die endlose Frage des „Warum“ beantwortet sich im RÜCKzug.

Read more: Directors Lounge at the Contemporary Art Ruhr, May 2017

Delete TV gather together video art and experimental films from all over the world and broadcast on partner channels in Europe, Australia and U.S.A. The most eye and mind-bending films selected every year get also screened all over Europe during art related events. Every year there is an over all winner which is awarded with an Art Prize created by a commisioned artist.

The authors and curators of Delete TV are Michael Murnau and Annalisa Cosentino.

www.delete-tv.com

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Delete TV at the contemporary art ruhr, media art fair 2017 (Program)

Giorgos Efthimiou Don‘t Wake, Eurydice, 00:16:00, Greece
Emmanuelle Negre Slit Cam 00:06:00
Jil Guyon WIDOW_Remix, 00:06:58, United States
Joe Pisciotta Nefarious (pictured)
Luka Fisher 12, 00:02:47, United States
Mabby Alam Veiled, 00:02:00, United Kingdom
Maxime Contour Illusion, 00:04:30, France
Natalia Alfutova PLEASE LISTEN!, 00:03:34, Russian Federation
Neil Needleman Passenger Fantasy, 00:06:30, United States (pictured)
Paulina Rutman FALL, 00:06:17, Chile
Sian Fann Gravitations, 00:05:41, United Kingdom
Tara Nelson Babystorm, 00:02:47, United States
Tina Willgren Arrived at Scene, 00:03:23, Sweden
Dan Inglis L.O.Q.Shun, 00:04:00, New Zealand
Ying-Fang Shen In The Waves, Taiwan
John T. Williams Four stages of collapes,USA
Michael Woods Post Panoptic Gazing, USA

Read more: Directors Lounge at the Contemporary Art Ruhr, May 2017

Directors Lounge presents Visuman’s paintings, and videos in collaboration with André Chi Sing Yuen (”GROW”), respectively Marcel Munte (”Wolkenteppich”)

VISUMAN  Geometria est archetypus pulchritudinis mundi.

“Visuman shall be the visual man, whose communication skills are principally visual. Visuman is an abstraction; television-head, on- and-off-button-body, cable-legs. Visuman inhabits a world shown in graphs of mathematical functions. Therefore truth is represented at its best. Visuman pictures are recognised as something similar to all attempts to gain knowledge of truth. The self-similarity of non- inear functions in visuman pictures explains the similarity of patterns shown in the artwork of the world’s cultures.”

About

JT lives since 1983 in Berlin, from 1993 until 1997 in Hong Kong.The project Visuman is launched during JT’s travels and stays in Asia, America and Europe. Exhibitors and collectors around the planet love the truth in the forms painted by visuman. The technique of Visuman drawings is Japanese ink on paper or cardboard from 1992 until 2000. The transapparatus picture is a visuman-technique, using a copier to implement a drawing into a new picture. Colour fills form. Since 2000 visuman is painted in acrylics on canvas. Colour folds form. In 2001 the virtual visuman, digitized and generated by the machine, becomes a fellow being in a fractalized world. Form fills form. In 2002 the fractal geometry, evaluated by the virtual visuman on the screen the year before, becomes painted reality on canvas. Form folds form.

Bio

1962 Jörg Tenbrock born in Rheine/Westphalia, Germany
1981-95 university studies in mathematics, economy, geography,
cartography, philosophy
1992 unfolding of the project Visuman
2002 unfolding of the project Edamon Namusiv
2009 curator DASLABOR der Experimentalraum Berlin
2012-13 curator gallery Klose Essen
2014-17 assistence project management artfairs BERLINER LISTE, KÖLNER LISTE
2015 unfolding of the project Giorgio Visumani artnetwork
2016 start of the project SMART STAR
2017 artist of Gallery Himmerlich Issinger, Berlin

www.visuman.com

Read more: Directors Lounge at the Contemporary Art Ruhr, May 2017

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pictured: Fraxnix 14 SMART FLOW

Directors Lounge Screening
Thanos Chrysakis
Amber Gaze

Thursday, 27 April 2017
21:00
Z-Bar Bergstraße 2
10115 Berlin-Mitte

The artist, musician and composer Thanos Chrysakis was born in Athens. He lived for sixteen years in London until he moved to Belarus in 2015. He is a trained musician who performs his music internationally in festivals, in concert halls and alternative places. He always had a strong connection with images and thus has created his own videos, or has found people for sound/image collaborations. Since 2007 he operates the record-label ‘Aural Terrains’ focusing in electroacoustics, composed and improvised music.

The program thus presents the composer/musician – Thanos Chrysakis – working with his own visuals and with the audio-visual collaborations of film director Félix Brassier. In our perception of video, or film, of audio-visual material, sound guides the reception of images, sound creates the continuity of space and time or its disruption more than any visual effect, even though the sound editing rarely comes to the surface of our perception. Chrysakis with his sounds on the other hand loves to work with the thresholds of our perception, with the fragility and ambiguity of sounds, and the edges of discernibility. The images of his films, and of those of Brassier, thus play on a similar congenial level of ambiguity on the picture layer, as Chrysakis’ sounds. The visuals may even take up some of the functions, “music for film” traditionally has: a marker for the continuity of space and time. However, the stream of ambiguous consciousness between industrial urban spaces and dreamy imaginations the films provoke, are a product of a fine tuned balance of sound and image creation.

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Artist Link:
http://auralterrains.com
http://www.auralterrains.com/chrysakis/en/bio/

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Snaps from the screening:
https://www.pinterest.de/directorslounge/directors-lounge-screenings-berlin/

photo: Klaus W. Eisenlohr

Directors Lounge Screening
Ana Bilankov
Night Riders

Thursday, 30 March 2017
21:00
Z-Bar Bergstraße 2
10115 Berlin-Mitte

Ana Bilankov, Berlin based artist with Croatian background, creates videos connected with peculiar places in different European cities, Moscow and New York, connected with the geographies and stories of those places, mostly interwoven with her own biography or experience. Her short films often combine a brittle visual poetry with rarified narratives on the soundtrack. Her training in art history and German studies in Zagreb together with her Master in Art in Context in Berlin seem to give her the intuition to pick out places and situations that become metaphors for things unspoken or stories untold. It may also have been her biography, which sensitized her for the hidden traces in human geographies, namely her escape from war while it spread over former Yugoslavia. The artist on the other hand calls it her “search for Roland Barthes’ punctum” in the geography of the city.

Her video pictures are conceived like extended snapshots that unfold, and become meaningful over time. Sound and text work complementary and associative to the pictures and are often from more divers sources than the image. When she points to the former Transatlantic slave trade connected with the sugar manufacturing in Bristol in her film “Sweet Home”, to the poisonous wreckage of Newtown Creek of East River NY in “New Town Future Film”, or to the story of an old broken Jewish House in Vienna (“I want to get out”), the artist never uses a traditional documentary style or storytelling. Instead, the films often comprise a poetic multi-layered audio-visual composition that leaves it open to the viewer to follow all the laid-out traces or to create their own associative connections.

Her film “U Ratu i Revoluciji / In War and Revolution” goes back to Croatia to visit her grandmother and to look for the traces of a book about education during the resistance against the Nazi occupation written by her grandfather, which disappeared as “communist and inappropriate” during political changes an the war of the early 1990s in Croatia. Her grandmother’s fading memories become a metaphor for those lost historical memories of the past, when books are eliminated from the libraries.

The artist will introduce the screening and will be available for Q&A. Curated by Klaus W. Eisenlohr

Artist Link:
http://www.anabilankov.com/

Links:
Directors Lounge   http://www.directorslounge.net
Richfilm   http://www.richfilm.de/currentUpload/
Z-Bar   http://www.z-bar.de

Snaps from our screening

Directors Lounge Screening
Urban Research – Private Affair
Thursday, 26 January 2017 | 21:00

Z-Bar | Bergstraße 2
10115 Berlin-Mitte

In the times of public intrusion into the private sphere, right wing populists and religious fundamentalists threatening the freedom of expression and diversity, and conservative politicians pressing for control and surveillance, the expressions of private life become a political affair again. Related to the slogan of 1968 “The personal is political”, the here presented films talk about personal or private affairs in relation to the public sphere and the urban space.

Many of the Urban Research films submitted in 2016 are dealing with private stories, that are related, in one way or the other, to the urban space and expressing the importance of freedom and solidarity for the divergent, the subversive and the liberal mind. The films present the small stories with high artistic aspiration, the nuanced views and the subjective diversity, which are even more important at times when populist positions start to replace distinguished sentiments in culture and politics.

A fine selection of Urban Research films shown at 48h Neukölln in addition to a brand new film by Penny Lane. And, films by Petra Lottje, Vladimir Turner, Rob Santaguida, Anna Okrasko, Doris Schmid, Salise Hughes, Eleonore de Montesquiou, and Ezra Wube

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Snaps from this screening

Directors Lounge Screening
James Edmonds
The Material Question
Thursday, 24 November 2016
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

“The cinema of James Edmonds (1983) explores the complexities of the real not as a mere substance named ‘reality’ but in its most fluctuating and Turnerian correlation, in those uncertainties that make it impossible to fix it in any specific point in space.”(Toni D’angela, La furia umana 28, 2016)

James Edmonds is an artist filmmaker from the UK living in Berlin and London. His practice centers on a personal poetics in which the nature of recording, when approached from the materiality of analogue film, offers a tangible surface for what is intangible and fleeting – our personal experience, inner worlds, thoughts and reflections.

He has presented screenings and exhibitions at various venues, project spaces, galleries and cinema events, including Fronteira Festival Brasil, The Temenos Screening Kino Xenix Zurich, Another Vacant Space Berlin, Mystetskyi Arsenal Lavra Kiev and ACCEA Armenia. Since 2015 he also curates the monthly film series Light Movement in Berlin.

PROGRAM
– Movement and Stillness, 2015, super 8, 11min, colour, silent
– Inside Outside, 2008/2015, super8, 6min, colour, soundtrack
– Sternwarten der Welt / Sun Documents, 2010-11/2016 (in progress), super8 double projection, 6min, colour, soundtrack
– OVERLAND, 2016, super 8, 22min, colour and black+white, soundtrack
– Patterns of Summer, (in progress), super8, 3 mins, colour, silent

Artist Link:
http://jamesedmonds.org
http://light-movement.blogspot.de

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Directors Lounge Screening
Urban Research Special
Topophilia – Landscapes and Harbours | Claudia Guilino

Thursday, 30 June 2016
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Two shorts and one feature about the interference of the technical world of shipping and oil with landscapes and the city. Twice the Port of Los Angeles is the starting point for visual exploration. One goes up north along the Trans-Alaska Pipeline, the other examines the harbor at night. The harbor of Veracruz on the other hand is the place for a histographical reconsideration of the Mexican harbor from a very personal point of view.

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Topophilia by Peter Bo Rappmund
surveys the 800-mile length of the Trans-Alaska Pipeline, and travels alongside the conduit as it bobs above and underground from the Prudhoe Bay oil fields to its terminus at Valdez. The extreme linearity and continuity of the pipeline acts as a pivot point to reorganize the landscape and offers new and idiosyncratic ways to visually reconsider topography. The film confronts the extreme beauty of the North-American landscape with the seemingly safe infrastructure of oil transport.

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Veracruz Without Ship by Teresa Delgado & Jakob Kirchheim. A documentary melodrama with privatizations and without lovers. A poetic walk through Veracruz, port of European exiles and Mexican oil, of melodrama and of the rhythm danzón. // Since 1938 Lázaro Cárdenas government offered political asylum to thousands of Spanish republicans who were fleeing war and persecution. They arrived to the port of Veracruz, unreachable paradise for the defeated who could not leave Spain. We revisit this myth of the grandparents and confront it with the present in 2014. In this year the PRI government is opening the doors to private investment of multinationals in a natural resource which Mexicans consider their own: oil. Oil plays an important role in the Gulf of Mexico and Mexican oil was nationalized by Cárdenas government in 1938.

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Port Noir by Laura Kraning. Within the machine landscape of Terminal Island, the textural strata of a 100 year old boat shop provides a glimpse into Los Angeles Harbor’s disappearing past. Often recast as a backdrop for fictional crime dramas, the scenic details of the last boatyard evoke imaginary departures and a hidden world at sea.

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Program addition:
We are deeply mourning the loss of our close friend Claudia Guilino and will show two videos by her

Stony Sleep  6 min 24s  2011
Abgesang, kupferfarben 3 min 52s 2009

Claudia Guilino was part of the Directors Lounge family from the early days, supporting our project with love and enthusiasm. Claudia passed away on June 26. She will be deeply missed.

Team Directors Lounge

Artist Link:
http://www.peterborappmund.name/
https://peterborappmund.exposure.co/
http://www.laurakraning.com
http://www.jakob-kirchheim.de/
http://www.agencia-tess.de

http://www.calla-mar.com/

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de