dl screening:
StadtRaum
Film Double Feature
• Klaus W. Eisenlohr
Stadtrandzone Mitte 46 min, 16mm, sound
• Klaus W. Eisenlohr und Johann Zeitler
zwischen | stadt | raum 64 min, 3 channel (HD Version)

Monday, 5 Dec 2011
19:30


Z-Bar

Bergstr. 2
D-10115 Berlin-Mitte
U-Rosenthaler Platz

StadtRaum – Urban Space Double Feature

Two films, two film essays about public space. One is based on performances including public interventions on urban plazas in Hannover and the second film explores encounters in public space in Gropiusstadt, a modernist residential area in the South of Berlin. Both films bring forward issues of public space and urban development: Will public space disappear under the changes of globalization and the development of an electronic public sphere? Are there new meanings and new functions of urban public space that could reactivate public space also in urban areas outside of the historic center of cities? Do we still need public places, or urban community space in the larger metropolitan areas?
Both films developed from visual researches in the respective urban areas and may be best described as visual essays.

Klaus W. Eisenlohr is a lecturer at Photocentrum Kreuzberg and at Lexia International in Berlin. His media are photography, film and new media. Johann Zeitler mainly works with painting, performance and drawing. Both artist have collaborated on urban and film projects since 2003.

Links:
http://www.richfilm.de
http://www.richfilm.de/currentUpload
http://www.z-bar.de
http://www.directorslounge.net

Stadtrandzone Mitte:
http://www.richfilm.de/filmUpload/1-framesSRZM.html
zwischen | stadt | raum
http://www.richfilm.de/filmUpload/1-framesZSR.html

DL: short cuts to Japan, Thursday 24th Nov. Z-Bar, Berlin

Directors Lounge presents experimental films all around Japan

We participated in this year´s 日本デ , the 10th Japan-Day in Duesseldorf, celebrating the 150 anniversary of Japanese-German diplomatic relations. 

DL: Short Cuts to Japan,  first screened during the Japan-Day at the Black Box cinema is dedicated to Japan in experimental cinema and video art. Films included cover a wide range of “Japans”, from fictional to historical to personal…

films by Ciro Altabás, Marina Chernikova, André Werner, Yukihiro Taguchi, Jean-Gabriel Périot, Matthew Dotson & Bart Woodstrop, Anders Weberg & Robert Willim, GUP-py, Kazuhiko Kobayashi, Akinori Okada & Masataka Ohta

curated by Julia Murakami

Thursday, 24 Nov. 2011 
21:00 / 9 p.m.
Z-Bar
Bergstraße 2 
10115 Berlin-Mitte

pictured (above): Made In Japan by Ciro Altabás ES                                          pictured: Platform N1/Tokyo by Marina Chernikova NL

“I’m not supposed to speak to strangers, but we’ve met before”, 2011 from the series: “Once Upon A Time” by Julia Murakami, Alu-Dibond, lambda print under acrylic glass, 19.2 x 27.6 inch

Directors Lounge at the  Contemporary Art Ruhr (C.A.R.) , World Heritage Site Zollverein

The Zollverein World Heritage Site – also known as “the world’s most beautiful coal mine” – today the most famous industrial monument and centre of the creative industry in the Ruhr area.

Building A12, Directors Lounge, Berlin with Ina Otzko, D. Kimm & Brigitte Henry, Marie Losier, Julia Murakami, Alexei Dmitriev, Guy Maddin, Coleman Miller, Alan Smithee, Triny Prada, Fabiana Roscioli, André Werner, Clint Enns, Usama Alshaibi and others …

 

contemporary art ruhr 2011, the innovative art fair

Zollverein XII World Heritage Site building A2, A6, A5, A12, A 7/ red dot design museum, outdoor area

official opening
Fri, 28 October 2011, 8 p.m. at Zollverein World Heritage Site in Essen, V.I.P.-Preview: 6 p.m.

public fair days
Sat, 29 October 2011, 12 a.m. – 8 p.m.
Sun, 30 October 2011, 11 a.m. – 7 p.m.

location
Zollverein XII World Heritage Site
Gelsenkirchener Straße 181
45309 Essen, Germany

day ticket
12,- € / 10,-€

still from Glorious, 2009 by Guy Maddin

THIRTY FRAMES A SECOND, TWO HUNDRED MILES AN HOUR
DIRECTORS LOUNGE’S GUY MADDIN SHORTS HEADING FOR ESSEN

No longer an upstart after seven consecutive years and scads of films of every conceivable genre, the Berlin International Directors Lounge (DL to the initiated) is still free of formula, corralling batches of like-minded works into presentable groupings but not bowing to predictability. No one knows quite what they are going to see here. That viewers can move freely about, mounting stairs and draping themselves over balcony railings to take in what’s splashed onto the screen may add to the slightly helter-skelter atmosphere. Question-and-answer sessions with selected directors and performers can prove as offbeat as some of the offerings, and left field live performances take it over the top. For free. There is nothing else like this in Berlin, one of the hardest claims you can make in this city. DL, while still arriving, has arrived. Renowned artists such as Michael Nyman have chosen to reveal their newest visions here, and films are being sent for consideration by the hundreds from all over the globe, with their creators and stars often enough making the trip to see how it looks up there, larger than life. Add to that fast-appearing online reviews of films and audience reaction, and you’ve got the makings of a cult carnival waiting to be reborn on a yearly basis, like a child who enjoyed the process enough to want to give it yet another go.
It had to happen that Berlin’s DL and Winnipeg’s enfant bizarre Guy Maddin would come together, and this year marked the time, when the Berlinale jury member brought a handful of his short features to form the backbone of an evening dedicated to his peculiar view of things, as seen through the (filmic) eyes of the influenced, heard via live readings from his enigmatic book From The Atelier Tovar and not least declared by way of the master’s aforementioned shorts themselves. A bit of everything was there. The giddy tomfoolery of Nude Caboose, the frenetic, fetishistic mock-punishment of Sissy Boy Slap Party, the industrial expressionism of The Heart Of The World. The house was full and imagination running at full tilt.
Directors Lounge is, with Mr. Maddin’s blessing, showing these tasty celluloid morsels at C.A.R. in Essen, offering up a peak into many little worlds portrayed in a myriad of ways: playful, distressing, subtle, haunting, head-on. Maddin comes to DL comes to you, and you only need eyes and ears to make it work.

–    Kenton Turk

still from Odilon Redon or The Eye Like a Strange Balloon Mounts Toward Infinity, 1995 by Guy Maddin

Beyond The Atelier Tovard , the collection of shorts by Guy Maddin, will be accompanied by works that are influenced by him, dedicated to him, or otherwise Under The Influence Of The Atelier Maddin.

C.A.R. details here

Directors Lounge Screening

Steven Ball
Travelling Practice
video works
Thursday, 27 Oct. 2011
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Travelling Practice

Digital video works by Steven Ball 2003 – 2010. These works travel near and far, across physical and virtual space using material collected en route. Travel determines form, subject and object are fluid entities, digital experimentation becomes landscape study, hyperlocal excursion, and experimental documentary, as they explore and exhaust species of spaces and media.

Steven Ball has worked in film, video, sound and installation since the early 1980s. In the late 1980s he accidentally migrated to Melbourne, Australia. There he continued his practice making a number of film, video and sound and installation works, as well as being engaged in various curatorial, administrative, teaching and writing activities. Since returning to the UK he has worked predominantly with digital video, producing a series of works, which among other things, are particularly concerned with digital material processes and spatial representation.

Curated by Klaus W. Eisenlohr

Artist Links:

home: http://www.steven-ball.net

blog: http://directobjective.blogspot.com

videoblog: http://directlanguage2010.blogspot.com

Public Water: http://www.publicwater.net

More infos:

http://www.directorslounge.net

http://www.richfilm.de/currentUpload/

http://www.z-bar.de/Inhaltsseiten/kulturprogramm.html

DL: short cuts to Japan

Directors Lounge presents experimental films all around Japan

We will participate in this year´s 日本デ , the 10th Japan-Day in Duesseldorf, celebrating the 150 anniversary of Japanese-German diplomatic relations. 

DL: Short Cuts to Japan, screened on october, 15 at the Black Box cinema will be dedicated to Japan in experimental cinema and video art. Films included will cover a wide range of “Japans”, from fictional to historical to personal…

films by Ciro Altabás, Marina Chernikova, André Werner, Yukihiro Taguchi, Jean-Gabriel Périot, Matthew Dotson & Bart Woodstrop, Anders Weberg & Robert Willim, GUP-py, Kazuhiko Kobayashi, Akinori Okada & Masataka Ohta (pictured: Ansoku No Basyo, 2010) 

curated by Julia Murakami

many thanks to Sascha Lueck and whiteconcepts for their support!

Black Box Kino im Filmmuseum , Schulstr. 4, 40213 Duesseldorf

October 15, 2011, 8 pm (admission free!)

program

    the JGP


Directors Lounge Screenings:  

Petra Lottje + Curtis Burz 
AUF DER SPUR

video works
Donnerstag, 29. Sept 2011
21:00

Z-Bar

Bergstraße 2

10115 Berlin-Mitte

Directors Lounge präsentiert ein Programm mit Petra Lottje und Curtis Burz. Beide Künstler, aus ganz unterschiedlichem Hintergrund, Bildende Kunst bei Petra Lottje und die dokumentarische Tradition europäischen Kinos bei Curtis Burz, befassen sich mit zwischenmenschlichen Beziehungen. Ob diese nun eigentlich „auf der Spur“ sind (on track) oder „abseits der Spur“ (off track) bleibt auch über die ambivalente Benutzung der Medien oder des Recordings bei beiden Künstlern offen, oder hängt davon ab, welchen Blickpunkt der Beobachter (Zuschauer) selbst einnehmen will.

‚Sprache bildet in zahlreichen Videos Petra Lottjes den Ansatzpunkt der Auseinandersetzung. Sie kombiniert Tonsequenzen aus unterschiedlichen Spielfilmen, verleiht ihnen körperlichen Ausdruck und setzt sie in neue Zusammenhänge. … Heute ist jeder Protagonist seines eigenen Films, doch wie eigen ist dieser Film wirklich? Und wie sehr sind wir selbst Medien kollektiver Stereotypen?’ (Susanne Husse, 2010)

In drei Episoden aus dem dokumentarischen Essay „Ich habe Dir nie erzählt, womit ich mein Geld verdiene“ (2011) erzählt Curtis Burz von Menschen, die sich scheinbar in der Mitte der Gesellschaft bewegen, aber doch nur „vom Rand“ aus zuschauen. Die Geschichten basieren auf Interviews, die der Regisseur in der Zeit 2008-2010 geführt hat.

(Kuratiert von Klaus W. Eisenlohr)

Links:

https://www.facebook.com/IchHabeDirNieErzaehltWomitIchMeinGeldVerdiene

http://www.lottje.de

Jakob Kirchheim

schnitte—bilder—worte

film and video works
Thursday, 28 July 2011
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Prints–Images-Words

Jakob Kirchheim combines different art genres in very personal ways, genres that usually are not connected with each other. He creates films and paintings using linoleum prints. The seriality of printing initially made the artist experimenting with film. He has used a variety of animation methods without leading him to classic animation forms. The ways Jakob Kirchheim also includes words and maps then results in political meaningful references, and they partly remind of the styles of agitprop from the 1920’s, but also from the 60’s and 70’s. However, the artists likes to see them as media references rather than just bold political statements. These references seem to say, «Agitprop? Isn’t that pure poetry, anyways?» Already in 1987, Jakob Kirchheim conceived his first «Linolfilm», a stop motion film based on linoleum prints as a combination of words and images. Since then he further developed his film techniques using photographs, collage techniques and live footage, and he thus has produced over 20 experimental animation, poetry and documentary films.

Artist Link:
http://www.jakob-kirchheim.de/

Links:

More infos at http://richfilm.de/filmUpload/1-framesKirchheim.html

Z-Bar
http://www.z-bar.de

Directors Lounge Screening

Michael Brynntrup

meSelf, mySelf and iSelf
film + video works

Thursday, 30 June 2011
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Michael Brynntrup is an artist and filmmaker who has been probing the limits of independent, personal and experimental film since the 80’s. Very early in his art career, he started off with Super-8 films, but soon experimented with multiple projections and collaborations with other artists. With „Jesus, der Film“ his collaboration took the form of a „cadavre exquis“, the joint product of a number of directors who only saw part of the work of their collegues, but who all were asked to have Brynntrup play the main character, Jesus. The resulting feature-long film became a legend, while little later, Brynntrup also became a well known director in the gay-and-lesbian cinema movement. His goal, however, was to never become monopolized by a certain scene, and thus, since his start, he has strived for a diversity of themes and genres in his work. Still, we can find the repeated and ongoing questions of the identity of the self, the questions, how the roles we play in society are being defined by gender and sexual orientation, and how the mirror of the other, and the mirror of death influences our lives. Last but not least, the artist adresses the question how much of an impact the mirror of media does have. (Curated by Klaus W. Eisenlohr)

Links:

Michael Brynntrup
http://www.brynntrup.de/

Z-Bar
http://www.z-bar.de

More infos (Klaus W. Eisenlohr):
http://www.richfilm.de/currentUpload/index.html

Directors Lounge Screening

FLEXFEST 2011 –

SELECTED WORKS FROM THE FLORIDA EXPERIMENTAL FILM/VIDEO FESTIVAL 2011

presented by
Roger Beebe, artistic director of Flexfest

Thursday, 26 May 2011
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

FLEX: the Florida Experimental Film and Video Festival presents a program of highlights from their 2011 biennial competitive festival. FLEX is interested in an expansive notion of experimental media. “Work may draw on documentary, animation, avant-garde, underground, or other traditions—or no traditions at all.“ As such the programming comprises a variety of mediums from 16mm direct animation to found video and from laconic place studies to experimental love poems.

Since its start in 2004, Flexfest has become one of the most important festivals for experimental media in USA, challenging us to rethink what ‘experimental’ means. Roger Beebe, who is the artistic director of Flexfest, and who is currently teaching a 5 week workshop at LaborBerlin, will present the program. He was already a guest at Directors Lounge in 2009 (Link). Roger Beebe will be available for Q&A.

The Florida Experimental Film/Video Festival presents both year-round programming and an annual festival (FLEXfest) in Gainesville, Florida. Showcasing a broad range of experimental media, FLEXfest alternates a biennial competitive festival with a biennial curated event. Past FLEX guests have included Craig Baldwin, Jim Trainor, Helga Fanderl, Deborah Stratman, Ben Russell, Robert Todd, Leighton Pierce, Naomi Uman, Bill Brown, Scott Stark, Jacqueline Goss, Johan Grimonprez, Vanessa Renwick, and many others.

Program:
Utopia, Part 3:The World’s Biggest Shopping Mall, Sam Green (13:09/HD/2009/USA)

Iron-Wood, Richard Tuohy (7:00/16mm/2009/Australia)

The Voyagers, Penny Lane (16:30/DV/Jun. 2010/USA)

Horizon Line, Katherin McInnis (1:00/HDV/USA)

Somewhere Only We Know, Jesse McLean (5:15/Video/2009/USA)

Tusslemuscle, Steve Cossman (5:00/16mm/Nov. 2009/USA)

Portrait #2: Trojan, Vanessa Renwick (5:00/35MM TO VIDEO/2006)

White House, Georg Koszulinski (8:00/DV/2009/USA)

Day/Night (Devil’s Milhopper), Andres E. Arocha (4:56/16mm/Apr. 2009/USA)

28.IV.81(Bedouin Sparks), Christopher Harris (2:49/16mm/Jan. 2009/USA)

Links:
http://flexfest.org

http://www.facebook.com/flexfest

http://www.directorslounge.net

http://www.z-bar.de

More program infos:
http://richfilm.de/filmUpload/1-framesFlexfest.html