Directors Lounge Screening:

Jonathan Rescigno
Territorial Transitions
Thursday, 28. January 2016
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Jonathan Rescigno’s film work combines classical documentary film and art. The French born artist from the region Loraine now lives in Berlin, and he presents his work not only in festivals but also as video installations in art shows in Germany, France and Switzerland. However, he is still interested in and connected with Loraine, the industrial province in the East of France. The region, once connected with mining and immigrant workers, and prosperous after WW2, had to undergo a period of de-industrialization in the past decades and has been undergoing a time of antagonism between Migration, Integration and on the other hand right wing political populism. It thus seems to be a natural consequence, that in his new works, Rescigno deals with migration and what in Germany has been called „refugee crisis“.

The films of Rescigno can be distinguished from traditional documentary film by his narrative voice. He never uses the common all-knowing voice-over (God eye’s view). If he talks in first person and as voice-over, he then takes a radical subjective point of view. And, when he gives other people the opportunity to talk, he gives them the space to speak for themselves. Otherwise, he lets the documents speak without comment or voice-over. In addition, he uses techniques of montage in order to confront and combine materials, documents and film images and to create an essay-like structure for his narrative. He does gives the viewer the opportunity and the challenge to draw their own conclusions instead of just consuming given results of the documentary research.

The program thus gives the opportunity to reflect on the very current political subject of territorial , while at the same time opening to a wider local and historical perspective.

Curated by Klaus W. Eisenlohr

More infos, pictures and German text:
http://richfilm.de/filmUpload/1-framesJonathanRescigno.html

Artist Link:
http://www.jorescigno.com

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Directors Lounge Screening:

Dagie Brundert
going all natural
Sunday, 13 December 2015
20:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Dagie Brundert makes films like singer-songwriters compose songs: with an almost weekly regularity, inspired by the small occurrences of everyday life and always blended with the joys of life and with her own charm. For the artist, who has committed herself mostly to super-8 film, simplicity is a must. Simplicity of means, low budget in production and improvised settings.

It is no wonder that she would discover caffenol and other natural ingredients for her filmmaking, i.e. for the development of her films – often in combination with expired Super-8 films, some of which have been of stock for many years.

In a series of new films, Dagie Brundert thus explores the theme of
exotic developments with natural ingredients in films referring to
their own making. On one hand this would become a kind of minimalist
procedure, if it weren’t for the filmmaker’s captivating humour. On
the other hand it reflects one of the messages of Dagie: DIY and
appreciate the process of making!

We are delighted to present this new series of films by Dagie Brundert, which have been digitally mastered and edited, in combination with a number of old treasures, presented in original Super-8. Expect “Dagie at her Best” – the artist will present and comment on her own films. And of course, she will be available for Q&A.

Artist Link:
http://www.dagiebrundert.de
https://vimeo.com/dagie

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload
Z-Bar  http://www.z-bar.de

Directors Lounge Screening:

James Harrar
Cinema Soloriens Screening

Thursday, 15 October 2015
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

James Harrar, experimental filmmaker, video artist and musician from Atlanta, Georgia comes to Berlin for this screening. The artist, who mostly collaborates with musicians for live shows under the name Cinema Soloriens, is currently on tour in Europe. His films – and music – take on a lucid form of audio-visual communications with the audience. They are often meditations on beauty, perception, allegory, sensuality and visual phenomena. The material of his videos may be found footage, material he is filming on travels, or dense abstract work that may be digitally created, or just clouds of ink.

Music and film merge together in a trance-like experience for the audience. A kind of lyrical film-poetry that Harrar has pursued since the late 80’s. “Throughout his career, Harrar has tried to give the viewer new visual experiences while challenging fixed notions of visual language and individual seeing. He is exhibiting all over the world at venues such as the Museum of Modern Art, Anthology Film Archives, Yamaguchi Center for Art & Media and The Andy Warhol Museum to name a few.”

James Harrar will personally introduce his films and perform live soundtracks to them. Curated and presented by Klaus W. Eisenlohr.

Artist Link:
http://www.cinemasoloriens.com
https://www.facebook.com/Cinema-Soloriens-213086542062882/

Links:
Directors Lounge
http://www.directorslounge.net
Details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de
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Directors Lounge Screening:

Christa Biedermann
No One’s Fool – Girl from Vienna

Donnerstag, 24. September 2015
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Christa Biedermann, an Austrian artist living in Berlin and Vienna, shows animations and performance films. The artist, who eludes any kind of categorization, paints, draws, photographs and makes films and videos, mostly appearing herself in front of the camera. In her videos, she critically and ironically questions society and its demands on the artists, especially on female artists. She thus markedly disappoints expectations of her work as image-artifacts as well as the expected image of her as woman and artist. Even though she hence carries on with the tradition of artists such as Carolee Schneemann and Valie Export, the sources of her inspirations are rather related to actresses and comedians of the 1920’s. Or, as she quotes Tucholsky: “What is satire permitted to do?– Everything!” Always paired with humour, Christa Biedermann will also give some live contributions, playing piano and as live act accompanying some of her films. Curated and presented by Klaus W. Eisenlohr.

(German text:)

Christa Biedermann, österreichische Künstlerin, die in Berlin und Wien lebt, zeigt Videos, Animationen und Performancefilme. Die Künstlerin, die sich mit ihrer Arbeit jeder Kategorisierung entzieht, malt, zeichnet, photographiert, macht Filme und Videos, auf denen sie meist selbst vor der Kamera erscheint. In ihren Videos setzt sie sich auf ironische Weise mit der Gesellschaft und dem was die Gesellschaft von Künstlern, vor allem von weiblichen Künstlern erwartet, auseinander. Diese von ihr in markanter Weise enttäuschte Erwartung mag sich auf das von ihr erstellte Bild-Werk als auch das von ihr erwartete Bild als Frau und Künstlerin beziehen. Werk und Selbstbild werden so zum Artefakt, zum Gegenbild. Auch wenn Christa Biedermann damit die Arbeit von Performance Künstlerinnen wie Carolee Schneemann oder Valie Export fortsetzt, so liegen ihre Inspirationen eher bei Schauspielerinnen und Komikern der 20er Jahre des letzten Jahrhunderts.
Immer mit Humor gepaart, wird sie zu den Filme auch einige Live-Einlagen geben, einmal zu einigen Filmen am Piano, zum andern als weibliche Figur im Film. Kuratiert und präsentiert von Klaus W. Eisenlohr.

Artist Link:
http://christa-biedermann.jimdo.com/

Links:
Directors Lounge
http://www.directorslounge.net
Details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de
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ATYPICAL. ASYNCHRONOUS. ASTOUNDING.

DL à la carte | the happening in your pocket.

Here is a taste of the future. On the DL menu for the first time at Berliner Liste contemporary art fair 2015: a new kind of screening, directly on your tablet or smart phone, a sneak into our archives at your fingertip.
Make no mistake, we are not talking about an online presentation. We are sticking to our tradition of connecting art and audience in a vivid get-together at selected locations.
But this time it is a collective yet when-you-want-it experience. You bring the screens, we serve the films.

Our teammates here are also true innovators:

shoutrlabs, a young Berlin-based company at the forefront of media app development. Their “shoutr.Boxx” allows large-volume multi-media products to appear with ease on the screens that are presently in all hands… smartphones, tablets, laptops. No Internet connection needed.

Going Underground, the short film festival that accompanies you in rushing trains under the streets of high-speed world cities. Like Directors Lounge, a front-edge viewing event outside the standard black box cinema environment.

Further we’d like to thank netzwerkvirus and last but not least SWOOFLE for supplying some cool “Flat Cubes” for our lounge lizards.​

Experience today what others will be tapping into tomorrow. Our (de)vice is going beyond and off the path. Non-definition continues to be our definition.

In the DL buzz tradition of “You had to be there,” you have to be there.

See you at the

Berliner Liste contemporary art fair

image

Berliner Liste 2015, fair for contemporary art, 17 – 20 Sep, 2015
Kraftwerk Berlin | Köpenicker Straße 70, 10179 Berlin
Opening: 16.9.2015, 6 pm | Directors Lounge: A 1.65

pictured: André Werner, Portrait einer Dame aus gutem Haus (portrait of a lady from a good family) | Kraftwerk Berlin, Berliner Liste

http://www.mobilekino.de/screenings/pulp-a-film-about-life-death-and-supermarkets/

http://www.mobilekino.de/screenings/pulp-a-film-about-life-death-and-supermarkets/

http://www.mobilekino.de/screenings/pulp-a-film-about-life-death-and-supermarkets/

Our friends from Mobile Kino, Berlin’s Traveling Cinema, are bringing Pulp to town with a very special film about life death and supermarkets

More:
http://www.mobilekino.de/

Directors Lounge Screening: Taylor Dunne and Eric Stewart | photo: Nick Font/DL

Directors Lounge Screening: Eric Stewart | photo: Nick Font/DL

Directors Lounge Screening: Taylor Dunne | photo: Nick Font/DL

Snaps from our monthly Directors Lounge Screenings at Z-inema, Z-Bar, Berlin:
Taylor Dunne and Eric Stewart screening “Mountain Time” curated by Klaus W. Eisenlohr | photos: Nick Font/DL

Directors Lounge Screening: Clint Enns | photo: Nick Font/DL

Directors Lounge Screening: Clint Enns | photo: Nick Font/DL

Directors Lounge Klaus W. Eisenlohr from Team DL during the Clint Enns presentation | photo: Nick Font/DL

Directors Lounge Screening: Clint Enns | photo: Nick Font/DL

Snaps from our monthly Directors Lounge Screenings at Z-inema, Z-Bar, Berlin:
Clint Enns screening “Embodying the Intention” curated and presented by Klaus W. Eisenlohr | photos: Nick Font/DL

Directors Lounge Screening:

Taylor Dunne and Eric Stewart
Mountain Time

Thursday, 25 June 2015
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Mountain Time – Films from the Interior of North America

Taylor Dunne and Eric Stewart are artists currently living in Colorado (USA). They share an affinity for 16mm filmmaking, they use photochemical processes as a means to explore the interconnectedness of time, history and the landscape. They are currently collaborating on a film investigating the history of uranium mining and nuclear weapons testing in the American Southwest.

The program comprises camera-less films and personal documentaries. They try to connect personal experiences with some parts of the North American landscape, history and nature. All shot in 16mm, it seems they have a mission for simplicity but also for the complications of Native American heritage. The two filmmakers are currently touring Europe with this program, and giving classes for chemical manipulations of analogue film.

Furthermore, on June 24 & 25, Taylor Dunne and Eric Stewart will teach the workshop LIFT OFF: An Emulsion Lift Workshop at LaborBerlin. Please contact LaborBerlin if interested.

The artists will be available for Q&A. Curated be Klaus W. Eisenlohr

Artist Links:
http://taylordunne.com/
https://vimeo.com/ecstaticerratic

Links:
Directors Lounge
http://www.directorslounge.net
Details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de

Directors Lounge Screening:

Clint Enns
Embodying the Intention

Wednesday, 17 June 2015
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Embodying the Intention: The Selected Works of Clint Enns

Born in Winnipeg, Manitoba, Clint Enns is a video artist currently living in Toronto, Ontario. He originally studied mathematics before changing his focus to the study of cinema and media studies. His work is multifaceted and eclectic, and therefore resists easy classification. Mostly using found material, he manipulates analogue film, screen captures video chats and computer games, transforms videos into ASCI code, uses lo-fi toy cameras, close-circuit feedback and found footage. He has presented his works in festivals and alternative cinema spaces and writes about cinema.

Although his work is primarily short in length, it is intended for theatrical presentation, and not as installation work, single or multi-channel, as most other media artists do. His being in favour for the screening format, and the playful anarchy of his films, reflect also the vibrant micro-cinema culture that exists in both Toronto and Winnipeg: communities that create and discuss films and that are open to a new generation of filmmakers and video artists working in unconventional and non-academic ways (though many established and academic elders contribute to the community such as Guy Maddin, Mike Hoolboom, Phil Hoffman and John Porter, all from Canada) These are the kind of communities that echo the old days of Cinema 16 where Amos Vogel and his peers showed a mixture of avant-garde films, splash films, instructional and science movies together with subversive political films.

In Enns’ work you may find traces of the joyful, deconstructing practice of Nam June Paik, who used magnets and other tools to bend the beam of the cathode in order to distort the television image. Enns nowadays also uses scripting and electronic errors in order to create or alter his images.  Still, it seems as if the artist is using a quote of Paik for his work: “When too perfect, lieber Gott böse” (When too perfect, dear God turns angry). With this show at Z-Bar, Clint Enns invites us to a microcosm of electronic and analogue images, which can only be seen as the antithesis to the over-real, sharp, High Definition images, and as an ironic response to some overly serious avant-garde heroes, emblematic of the Cult of the Bolex.

His mathematical studies have not only provided Enns with the knowledge to use algorithms for the creation of his images, but have also liberated some diabolic and playful humor (all out of love), which sometimes requires a savvy viewer to fully read the irony embedded in the image.

Artist Link:
http://clintenns.tumblr.com/

Links:
Directors Lounge
http://www.directorslounge.net
Details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de
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