contemporary art and media
The Dream Of The Japanese Beauty, André Werner, 2009
Installation, overhead transparency, water, feather, vibrator, light, dimensions variable
A fairy at the fair
The Dream Of The Japanese Beauty will be shown as part of the opening of the c.a.r., the contemporary art Ruhr on Fri. Oct 30th.
›TERRACOTTA WARRIOR‹ 2006 by Pablo Wendel will be screened as part of our selection for the 6th Berliner Kunstsalon.
From March till August 2006 Pablo Wendel was a student at the Department of New Media, Performances and Body Language and Theatre at the China National Academy of Fine Arts in Hangzhou. His major works are performances which are documented by photos and videos (16:9). For his performances in China Wendel received great attention all over the world. The Terracotta-Army in Xi´an in the North West of China is one of the most important discoveries of the 20th century. 2200 years ago it was given to the first chinese imperior Qin Shihuangdi as a burial object. About 7000 lifesize terracotta warriors were build to guard the gigantic sepulchre construction. On september 16, 2007 student Pablo Wendel, disguised as a terracotta warrior, positioned himself for about 23 minutes between the more than 2000 year old soldiers. His costume consisted of a coat of mail, a hat of paper-mâché and shoes of old car tires. To appear as authentic as possible, he had even brought a pedestal to stand on during his performance.
courtesy brouwer-edition
In Cooperation with Daniel Schubert and André Werner, who developed the net-based project beflowered, the Japanese Guerilla Paparazzi by Julia Murakami will be part of Edmund Pipers Zirkus Minimus presented by Galerie Walden at the upcoming Preview Berlin.
Directors Lounge, developed as a structure of clusters of various independent curated projects, presents a wide variety of short experimental works of many different genres. Beflowered and 1500 Japanese Guerilla Paparazzi emphasize the role of art that acts as an intervention into the public space in the real as well as in the virtual world.
Preview Berlin – The Emerging Art Fair
September 25-27th, 2009, 1 p.m. – 8 p.m.
Location:
Flughafen Berlin Tempelhof
HAUPTHALLE
Platz der Luftbrücke 5
D–12101 Berlin
Meet us at the first Berlin art fair 09, Edmund Piper, the man behind two german satellite art fairs (Berliner Kunstsalon/ tease art fair, Cologne) and artist himself opens CIRCUS MINIMUS, a 100 sqm art fair with 43 exhibition booths on a scale of 1:10. Leaving it to the visitors to look at the art market literally at their feet or to catch a glimpse of a state of construction which is usually hidden during exhibitions. Edmund Piper and Walden Kunstausstellungen invite you to meet some of the protagonists of and off Berlin´s art scenery. The lounge of circus minimus takes place in the entrance area of the Kastanienallee 86 with Mike Riemel aka DJ Aussenborder.
You find us at booth 9, first hall. See you there.
photo: Julia Murakami, installation 2009
One Minute (volume 2) is an eclectic range of moving image and includes formats such as 16mm film, Super 8, video, stopframe animation, superimposition, all constrained by a time limit of one minute, curated by Kerry Baldry.
afterwards: music, Bar and Cocktails
Киноцентр Родина и компания Tour de Film
при поддержке Немецкого культурного центра им. Гёте
представляют:
Программу экспериментальных фильмов
Directors Lounge: Берлин-Петербург
15-19 октября, Санкт-Петербург
museum of arts and concepts Paderborn, 25th of July-1st of August eng deu
20.-22.6.2008, Welterbe Kokerei Zollverein Essen,
in der Mischanlage sowie Cubes im Außenbereich,
am 21.6. parallel zur ExtraSchicht
Inmitten der besonderen Industriearchitektur der Kokerei Zollverein inszenieren innovative Akteure Kunstformen, die herkömmliche Präsentationsformen sprengen – ob Videokunst, Skulpturen und Installationen, multimediale Projekte, ob Lichtkunst oder Performances.
An evening with Sally Golding
Sally Golding (Brisbane) is a filmmaker, projectionist and audio-visual archivist whose work moves between materialist abstractions and dreamlike narrative forms. Using 16mm technologies and photographic darkroom processes, Sally deconstructs cinematic materials and apparatus, creating unique works realised as performed projection.
