Sat 16 | 10:15pm

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Josh Weissbach, 106 River Road

Jodie Mack US Blanket Statement #1: Home Is Where The Heart Is 3:00 2012 (EP)

Eric Dyer US Coversong 01:45 2012 (EP)

Brandon Doherty US It Goes 3:00 2012 (EP)

Maria Magnusson SE My Clothes Were Dragging Me Back 04:53 2012

Anett Reiche DE Ebenmass 02:33 2010

Christina von Greve DE Nananaau 05:20 2012 (WP)

Andreas Gogol DE RED:UX  06:15 2012

Scott Stark US Bloom 11:00 2012

Josh Weissbach US 106 River Road 5:53 (GP)

Valentina Besegher Scotti IT Try Hard Johnny! 04:11 2007

Mauri Lehtonen FI Physical Examination 03:46 2012

Bernd Lützeler DE The Voice of God 09:35 2011 (IA)

TRT 64 min

Directors Lounge Screening:

Guillaume Cailleau
Bolex, Loves and Other Measures
16mm and Live Super-8 Performance

Thursday, 29 November 2012
9:00 pm
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Guillaume Cailleau bridges conceptual working methods with playful references to the avant-garde. This playful mix of forms, expanded cinema, experiments with human perception, and poetic compositions makes the viewing experience very enjoyable for its richness. His sincerity, combined with a joyful wink  of the artist’s eye add to this impression. Explorations – or games – with color separation, the basics of color photography, are as much part his artistic arsenal as the lyric beauty of rich black and white contrast of high-con film combined associatively on an optical printer.
The artist will perform live, and will be available for Q&A.

Artist Links:
http://lightcone.org/en/filmmaker-1910-guillaume-cailleau

Links:
http://www.directorslounge.net
http://www.richfilm.de
http://www.z-bar.de

Detailed Program Infos:
http://www.richfilm.de/filmUpload/1-framesGCailleau.html

Directors Lounge Screening:

Thorsten Fleisch
Berlin Premiere
Hex Suffice Cache Ten

A surreal escape of a disintegrating mind into neon-lit nightmares from a discarded future.

plus 16mm Filmprogramm
Selected from his private Educational Film Archive

Thursday, 1 November 2012
21:00 Uhr
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Hex Suffice Cache Ten
Produced by Thorsten Fleischcinematography, Script & Music by Thorsten Fleisch

Starring Lise Ivanouw, Daniel Scheimberg, Timo Fleisch and Thorsten Fleisch
Length: 12:42 minutes / Format: HD / Year: 2012

Synopsis:
A surreal escape of a disintegrating mind into neon-lit nightmares from a discarded future. Suddenly interferences from sub-particle proliferation occur within the protagonist’s body, a transformation can’t be avoided.
This exploration of cinematic space within an implosion of cerebral space is a daring tale of aliens, experiments on humans, video games and mutation. It is showering the unsuspecting viewer in handmade visual and aural stimuli from planet Fleisch.

Artist Links:
http://www.fleischfilm.com

Links:
http://www.directorslounge.net
http://www.richfilm.de
http://www.z-bar.de

More detailed program infos:
http://www.richfilm.de/filmUpload/1-framesThorstenHex.html

Directors Lounge Screening:

Phlipp Hartmann |  f.k.flumen
Von der Notwendigkeit dessen
Video
With guest Jan Eichberg

Thursday, 27 September 2012
21:00 Uhr
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Von der Notwendigkeit dessen (whereby according to necessity)
Philipp Hartmann, whose short film comedies about Karlsruhe called “Der Anner” (“the other, there” in Southern Dialect) have been audience favorites on festivals, also works in very different styles with film, preferably with Super-8, and with much more subtle humor. Tracking the traces of Alexander Humboldt or his grandfather in Latin America, reflecting on the physical-poetical conditions of condensation trails in the sky, or recording the last remnants of an old lady who passed away, he always combines documentary with fictional approaches in such subversive, subtle ways that the viewer at the same time may be following the “movies of his own mind” or his own associations while watching these films. In addition, Philipp Hartmann will present Jan Eichberg as guest artist in the program, who creates short narratives in similar aesthetic ways. Both artists with be present and available for Q&A.

Artist Links:
http://flumenfilm.de
Jan Eichberg
http://www.elephantterrible.com/en/jan-eichberg/

Links:
http://www.directorslounge.net
http://www.richfilm.de
http://www.z-bar.de

 Directors Lounge Screening:

Rigoletti
Live Punkt Null

Video, Performance

Thursday, 30 August 2012
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Rigoletti Live Punkt Null – Live Point Zero
LIVE at DIRECTORS LOUNGE

This evening with Rigoletti alias Marion Pfaus will be a mixture of screening and performance. Rigoletti, who claims to have been granted the titel “the most unknown pop-star”, has made quite a name for herself. With her lively, busting ways, she has gained presence on a multitude of platforms and media.

To call her filmmaker would not be the right term, Rigoletti “makes videos”. She both addresses the media itself – “16:9 Full HD” is an ironical and media-political discussion of the “new media” high definition video, which uses the form of educational film – and she addresses themes ranging from mundane to politically charged topics such as the founding of “Humboldt 21”, an association she is promoting. “Humboldt 21” shall already be concerned with the planing and preparation of the demolition and remediation of the not yet built remake of the “Berlin City Castle” in the center of Berlin, which will be called “Humboldt Forum”. As experience teaches, buildings on this site would not last for very long, she argues, and remediations could be complicated and expensive, as the demolition of the “Palast der Republik”, the former GDR parliament building on this very site, has shown. It is thus a due task to have an early start with planing the demolition of the coming remake of the city castle. Such ironic interventions in public themes, seemingly trivial or stuck in concealed oppositions (like the castle discussion), are typical for Marion Pfaus. She such subversively questions the doxa, the prevailing opinion (not to be mistaken with common sense). Presented with dry humor and blazing dilettantism, the artist also makes clear her objectives are her serious concerns.

The artist, who studied media design, also works and publishes in other media. In collaboration with her colleague Felicia Zeller, she published online projects such as http://www.landessexklinik.de (State Sex Hospital) and the CD-ROM “Mut der Ahnungslosen” (Courage of the Ignorant). In 2006 her novel “Aus den Memoiren ein Verblühenden” (Memoirs of an Early Withering Flower) is published as book + CD.

Parts of her video work will be shown, the artist will perform live her concept of “Fremdbloggen” (third party blogging), and she will give a performance about the founding of the association “Humboldt 21” including the plans for the remediation of Humboldt Forum.

Artist Links:

http://www.rigoletti.de

http://www.humboldt21.de

http://www.wahl11.de

Links:

http://www.directorslounge.net

http://www.richfilm.de

http://www.z-bar.de

Caroline Koebel
Drift and Dwell: Film and Video

Directors Lounge Monthly Screening

Thursday, 26 July 2012

21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Caroline Koebel works with a broad range of media and film expressions, bringing together many influences, super-8 experiences, punk, Vaudeville, the vivid Californian avant-garde scene around Craig Baldwin and his Other Cinema screenings, and conceptual references to Valie Export. If trying to trace back the film tradition she is drawing on, it would possibly be the subversive media practice that Amos Vogel started with Cinema 16 in New York from 1947 to 1963, a practice that was most interested in the discourse of different fields of cinema.

Caroline Koebel uses a number of styles and tries to create a dialog between analog and digital, handprocessed found footage meets digital camera and editing, political involvement comes together with poetic film. The program comprises earlier and new work of the artist, and different themes and styles, in the range from poetic film to experimental essay. Caroline Koebel, who is also a critical film writer, curator and an educator at Transart Institute will be present for questions and answers.

Curated by Klaus W. Eisenlohr

Links:

http://www.directorslounge.net

http://www.z-bar.de

http://www.richfilm.de

Artist link:

http://www.carolinekoebel.com

Amusement Park of Glowing Dreams

Filmmaker and Directors Lounge fixture Klaus W. Eisenlohr took the gathering on hand at Z-Bar’s screening space (22.03.12) on a rollercoaster ride to and through the Atomic Age’s forbidden zones with his curated program “Pripyat – The Uncanny of Modernity”. Not only Pripyat, Chernobyl’s ghost-ridden neighbouring city, but also other nuclear oddities were shown in light of a global fascination whose half-life is not yet known. This aesthetic preoccupation and its uneasy place in the nuclear discussion were at the heart of the selection, rather than any purely documentary vehicles or didactic essays. Several films in the 90-minute set were little more (but nothing less) than hazy imagery, as in the opener, Anders Weberg’s Peaceful Atom (SE), a multi-planed soup of impressionistic smears revealing forms and sounds. Nicky Larkin’s Pripyat (IE) followed, with static shots accompanied by howling winds and the incessant buzzing of flies. The deserted city emerges as a modern-day Angkor Wat, with radiation as the unseen jungle. Black figures painted on walls hark back to Pompeii’s ashen corpses, victims of a similarly sudden fate. Finally, Lenin’s face emerges, as lifeless and frozen in time as the scene he presides over. Immaterial Meshup (Sarah Breen Lovett, AU) opens on a television and takes us swiftly to futuristic cityscapes of Metropolis and Blade Runner, uniformly black and white and swathed in aphorisms. Other standouts included Gair Dunlop’s Atom Town: Life After Technology (UK), running newsreel propaganda footage on the Dounreay facility in split screen next to mostly colour updates of the same scenes, silent sentries to a then unknown future (its sentimentally greeted disengagement), wordlessly speaking louder than the narrator’s voice from the screen’s other half. Vanessa Renwick’s Portrait #2: Trojan (US) puts an atomic silo before intensified sunset views resembling Group of Seven stylization, then lets us witness the controlled demolition of the ominous tower. Eisenlohr’s own Phantasma Pripyat (DE) wove cascading found footage between flutter-by landscapes and computer games into a look at Elena Filatova’s counterfeit motorcycle tour in the forbidden zone around Chernobyl. Ribbon text website comments chase snippets of facts and each other so that the viewer is swimming in a sea of truths, half-truths and outright lies or flights of fancy that well represent the muddle of (mis)information that characterized the event. A discussion followed the films, with varying views on the attraction to voyeurism and its legitimacy. Eisenlohr’s Urban Research presentations run with monthly regularity, offering windows to the grand scheme of things cosmopolitan. In addition, they provide thematic pillars in the annual Berlin International Directors Lounge, back for its ninth incarnation in February 2013. Kenton Turk


pictured: Phantasma Pripyat by Klaus W.Eisenlohr

Pripyat — the Uncanny of Modernity

Thursday, 22 March 2012, 9pm, Z-Bar

One year after the Fukushima disaster and 26 years after the explosion of the Chernobyl reactor, the discussion on civil nuclear energy has again reached the “normality” of planning for new power plants. Over the same time, Pripyat the destroyed young Sowjet city, now situated in Ukraine, has gained an eerie attraction. Firstly presented in Freiburg DE, the collected films allow a discussion of the human imagination triggered by nuclear energy and nuclear disasters beyond excited press news.

Presented by Klaus W. Eisenlohr. The film program comprises films representing visions of the abandoned city of Pripyat by artists and documentary filmmakers, and imaginations of futures under the influence of “peaceful nuclear energy”.

Artists list:
Hanne Adam + Thierry Buysse,
Klaus W. Eisenlohr,
Gair Dunlop,
Andrea Slavik,
Vanessa Renwick,
Anders Weberg,
Sarah Breen Lovett,
Nicky Larkin,
Julio Soto

More infos at: richfilm

Z-Bar
Bergstr. 2
D-10115 Berlin-Mitte

U-Rosenthaler Platz

pictured: Fritz Stolberg’s “Of This, Men Shall Know Nothing”

“Arise cinephile-comrades! Pick up your cameras and join us as we reclaim the media pixel by bloody pixel!”   Bryan Konefsky, Experiments in Cinema


Directors Lounge @ Experiments in Cinema V7.9 in New Mexico

Guild Cinema, Tuesday April 17, 2012

As last year, we are going to participate in the finest cinematic event of New Mexico, the Experiments in Cinema. Experiments in Cinema is an annual, Albuquerque-based festival that celebrates recent trends in international, cinematic experimentation and offers a variety of ways in which attendees might think about the history of media representation and participate in shaping future trends in cultural representation.


Assorted films from The 8th Berlin International Directors Lounge [DL8]
curated by Julia Murakami and André Werner

Farnoosh Samadi Frooshani IR “It’s Your Turn”, 2011
Fritz Stolberg GB  “Of This, Men Shall Know Nothing!”, 2010
Samuel Blain GB “In Dreams”, 2011
John Woods CA “7246 120’ WE”, 2011
Santiago Parres (EZO) ES “Sinecdoquanon”, 2011
Kote Camacho
ES “La Gran Carrera”, 2011
Joe McClean and Sarju Patel US “How To Make a David Lynch Film”, 2011

pictured: Kote Kamacho’s “La Gran Carrera”

urban research
program I:
Urban Observations and Local Studies

Monday, 13 February 20:00

https://directorslounge.net/tag/13th%20Feb%202012

With:
Alejandro Bernal, Caroline Koebel, Yptu Enth, Wenhua Shi, Deron Williams, Leslie Supnet, Joel Wanek, Chris Kennedy, Sarah Christman

This beautiful program comprises films, which meditate on city impressions in rather leisurely pace. Urban observations are always subjective, especially if done with a camera. Also, undertaking observations is only possible when making a distinction. The observer, the camera is always part of the situation. Never is it possible to look from outside (the Hollywood ideal of realism, the “God eye’s view” is only possible in fiction). Thus, the distinctions we make are never clear cuts, the opposites spill back in, and the dichotomies unite as the complementary parts of the same idea.

Following the program of Deborah Phillips, this program shows films originating both on digital video and 16mm film, including the film projection of Chris Kennedy CA
Simultaneous Contrast and Sarah Christman US Broad Channel

Curated by Klaus W. Eisenlohr

More about the Urban Research Programs at Directors Lounge:
http://www.richfilm.de/DL2012/framesUrbanResearch.html