photo: Martin Duschner, Zollverein projection: Andre Werner, Dream Of The Japanese Beauty

Daria Korol BY touch. 02:40 2013

Alexander Heringer DE Fortune Faded 03:11 2012 / aug&ohr medien

Michael Fleming NL Avalanche 11:00 2013

Directors Lounge at the

Once again, you can catch us at the Zeche Zollverein at Contemporary Art Ruhr, 24 – 26 October 2014. As usual, you’ll find the Directors Lounge booth and the Auditorium with the C.A.R. Video Lounge in the SANAA building right behind the entrance. Stop by, say hello and take in our delectable film selection … See you at C.A.R.!
Participating artists (booth): Sandra Becker 01, Roger Deutsch, Michael Fleming, Carola Göllner, Julia Murakami, Ken Paul Rosenthal, Alan Smithee, André Werner

Directors Lounge at the C.A.R Video Lounge (auditorium) with
films by
Philipp Artus*, Víctor Ballesteros, Sam Bell,Yanina Boldyreva and Alexander Isaenko, Chiara Caterina, Aude Danset and Carlos De Carvalho, Pedro Ferreira, Michael Fleming, Gerard Freixes Ribera, Mário Gajo de Carvalho, Max Hattler, Alexander Heringer*, Volker Heymann*, Masanobu Hiraoka, Roger Deutsch, Stephan Hilpert and Julia Murakami, Martha Jurksaitis, Daria Korol, Maria Magnusson, Olga Palomäki, Arthur Patching, Jean-Gabriel Périot, Javier Pernas, Stuart Pound, Diego Ramirez, Leyla Rodriguez and Cristian Straub, Jean-Michel Rolland, Ken Paul Rosenthal, Mauricio Sanhueza, Liga Steda, Walter Ungerer, Rhayne Vermette, Josh Weissbach, Aaron Zeghers / *aug&ohr medien

The complete program

Diego Ramirez AU Radish 02:27 2013
Mauricio Sanhueza PE Paroniria 06:37 2013
Sam Bell GB Promises 05:00 2013
Pedro Ferreira PT Home Sequences #1-4 13:00 2012/-13
Yanina Boldyreva and Alexander Isaenko UA/RU Duotone 07:00 2012
Volker Heymann* DE Drei Experten Drehen Auf 03:52 2013
Alexander Heringer* DE Fortune Faded 03:11 2012
Philipp Artus* DE Snail Trail 03:00 2012
Aaron Zeghers CA Living on the Edge 03:20 2013
Ken Paul Rosenthal US In Light, In! 12:00 2013
Roger Deutsch US Scherzo 05:00 2014
Josh Weissbach US Model Fifty-One Fifty-Six 11:02 2013
Mário Gajo de Carvalho PT The Place That Remains Deeply Unchanged Before My Random Passage Or One Way To See Ourselves Within The Out Of Field 03:13 2014
Rhayne Vermette CA Black Rectangle 01:30 2013
Walter Ungerer US ICI 07:32 2013
Leyla Rodriguez and Cristian Straub DE Isle Of Lox “Senses Suspended” 04:31 2013
Chiara Caterina IT Avant La Nuit 02:48 2013
Jean-Gabriel Périot FR The Day Has Conquered The Night 28:00 2013
Daria Korol BY touch. 02:40 2013
Max Hattler DE X 06:00 2012
Olga Palomäki FI Parallel Landscape 04:48 2013
Víctor Ballesteros CA VVOOLLVVOO 00:30 2013
Jean-Michel Rolland FR First Person Shooter 04:43 2012
Maria Magnusson SE Solarizaton 04:54 2013
Julia Murakami and Stephan Hilpert DE Mr. Blackburn 0:40 2014
music by Darius Greene US
Gerard Freixes Ribera ES The Parting Dance 03:00 2013
Martha Jurksaitis GB Bad Blood 02:43 2013
Stuart Pound GB All That Passed 01:00 2013
Javier Pernas AR/ES Piel/Skin 06:53 2013
Liga Steda GB Block 02:23 2013
Michael Fleming NL Avalanche 11:00 2013
Masanobu Hiraoka JP Land 03:41 2013
Aude Danset and Carlos De Carvalho Fr Premier Automne 10:30 2013
Arthur Patching GB Il Ritorno 04:24 2012

contemporary art ruhr (C.A.R.) 2014 – the innovative art fair

Zollverein World Heritage Site
Gelsenkirchener Strasse 181
45309 Essen

Official Opening:
Friday, October 24, 8 pm

VIP-Preview:
Friday, October 24, 6 pm

Public fair hours:
Saturday, October 25, 12 – 8 pm
Sunday, October 26, 11 – 7 pm

Entrance fee at the art fair per day:
12,- € / 10,-€

Guided Tours:
Frank Schablewski,
+49 (0) 211 795 21 12 & +49 (0) 178 292 33 98

www.contemporaryartruhr.de

Greeting cards from reality at the PCFS – Post Colonial Flagship Store.

The “Post Colonial Flagship Store (PCFS)” exhibition project (concept: Sven Kalden and Georg Klein) showcases artworks camouflaged as consumer goods, and engages with a new, surreptitious form of colonialism.

The PCFS just opened at quartier 21, Vienna’s center for contemporary “applied art” in the MuseumsQuartier.

European and international artists reference the colonial background of their respective countries and its impact on contemporary life. Dependence, opportunities, hopes, and issues of identity are addressed, as are global investment strategies and the migration of labour.

We participate with a row of three screenings, Greeting cards from reality. 

Part I “Wanderers between the world” presented by Joachim Seinfeld, will be screened October 10th. 7:30pm, free admission.

Daniel Nicolae Djamo RO Progress Is A Beautiful Thing 04:46 2013

Fernando Jose Pereira PT News of Desolation 12:33 2013

Avi Dabach IL Excavation 3045/2013 06:00 2013

Hala Georges GB/SY From Rochester With Love 09:08 2013

Rob Brown GB Echoes 11min 38s 2009

Cristine Brache US Ad for Self-Immolation 03:23 2013

Victor Orozco Ramirez MX Reality 2.0 11:00 2012

Maximilian Westphal DE The New Killing Fields 13:00 2004-2009

Masahiro Sugano KH Why I Write  07:33 2011 Performance by Kosal Khiev

Irina Birger NL Irina Birger Thinks Drawing Is Important 15:13 2010

Schneider Robson S.B.B. Swiss Bolly Bahn 07:00

curated by André Werner and Joachim Seinfeld

quartier21 is a support structure that offers space and support to ca. 50 cultural initiatives within the MuseumsQuartier Wien. It is an integral part of the overall concept of the MuseumsQuartier.

The various groups represented here have transformed the quartier21 into Vienna’s center for contemporary “applied art.” The emphasis is on digital culture, media art, conceptual art, sound art and game culture, street art, design, photography, literature, and fashion.

Part II “The Kids” presented by André Werner, will be screened November 4th. 7:30pm, free admission.

Part III “Values” presented by André Werner, will be screened November 18th. 7:30pm, free admission.

Directors Lounge Screening:

Doris Schmid
projektionen

Thursday, 25 September 2014
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

The artist Doris Schmid, who lives in Berlin, works in very subtle ways with the meaning of images, and against it. She uses the instance of implied narratives, or better saying the seduction of narration as an opportunity to enhance other image qualities such as perceptions of time, augmented spacial illusions, the vanishing of the image, or its apparition. Schmid for this purpose uses layering of video images, and then condenses them by a meticulous editing process.

Layers bring different or similar images together and create a multi-dimensional image composition. Initially however, the layers are being created by projecting on 3-dimensional surfaces, instead of digital compositing. These surfaces may be hand-made cut-outs that look like drawings from stills, or they may be moving surfaces, projections from a car or a train onto houses; but they are always closely related to the moving image in some ways. The final videos seem to have an analogue and performative quality, and they thus unsettle the common image perceptions of film.

The artist will be available for Q&A. Curated by Klaus W. Eisenlohr.

Artist Links:
http://www.dorisschmid.net/

Links:
Directors Lounge
http://www.directorslounge.net
Details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de
   °*-*°

Directors Lounge Screening:

Bernd Lützeler
Filmi Fundas

Donnerstag, 28. August 2014
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Bernd Lützeler
with Eric Wilhelm Da Cruz

(German:)
Bernd Lützeler arbeitet als Künstler und Filmemacher sowohl mit analogem Film, als auch mit digitalen Medien. In seinen Arbeiten beschäftigt er sich mit der Ästhetik und Wahrnehmung von Bild und Ton und deren Wechselwirkungen mit Technologie und Gesellschaft. Ein weiterer thematischer Schwerpunkt sind die unterschiedlichen Erscheinungsformen des bewegten Bildes in der indischen Alltagskultur. Diese Themen setzt er nicht nur in linearen Filmprojekten, sondern auch in Film- und Raum-Installationen um. Einige der heute präsentierten Arbeiten sind aus Kollaborationen mit anderen Künstlern hervorgegangen, u.a. mit Kolja Kunt und mit seinem langjährigem Kollegen Eric Wilhelm da Cruz, der darüber hinaus auch einen eigenen Film zeigen wird.

(English:)

Bernd Lützeler, artist and film enthusiast who works with Super-8 and 35mm, also combines film and video in multi media installation work. In his work he is concerned with sound and image as distinct interfering media and their relations with technology and society. Also, he takes a specific interest in aspects of the audio-visual pop culture of India. He is a strong collaborator in order to create and exhibit. He worked with Kolja Kunt and Eric Wilhelm da Cruz on several projects. Part of the presentation will be an adapted super-8/video live show of “Eternal Showdown”, and a film by his colleague Eric Wilhelm da Cruz.

Artist Links:
http://www.nomasala.com/

Links:
Directors Lounge
http://www.directorslounge.net
Details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de

Directors Lounge Screening:

Elaine Tedesco
Whispering

Thursday, 31 July 2014
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

This is set of videos by Brasilian artist Elaine Tedesco, a selection of works created between 1988 – 2012 and a work in process that she is realizing in Berlin. Divided into 4 groups: Video performances, domestic video notes, conversations and photography, it shows estrangements on looks at the daily life. Elaine Tedesco currently stays in Berlin at an artistic residence promoted by Instituto Goethe.

Artist Links:
http://www.comum.com/elainetedesco/
http://www.goethe.de/ins/br/poa/ver/res/de12352197.htm

Links:
Directors Lounge
http://www.directorslounge.net
Details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de

Julia Murakami and Stephan Hilpert DE Mr. Blackburn 40s 2014 World Premiere

Andre Werner DE Opening Robert Rauschenberg 6 min 37s 1990

Erdal Inci TR Taksim Spiral 0,8s 2013

Sandra Becker01 DE Processing 2 min 2013

Hara Katsiki DE Starseed 2013

Hye Young Kim KR Unfulfilled Desire II Blindness 21 min 2013

Alan Smithee Are You Afraid Of … 2013

Directors Lounge at Gallery On, Seoul / South Korea,
C.A.R. Network III, the innovative art fair, 9 July – 1 August 2014
Opening Reception: 9 July, 5 pm

Gallery On, B1 Young-chung Bd. 69 Sagan-dong Jongno-gu Seoul 110-190 Korea

Directors Lounge, the Berlin-based platform for contemporary art and media, presents selected single channel works at Gallery On, Seoul during the C.A.R. Network III. The looped installations range from classic short animation to gif-based online works and interactive processing, giving a glimpse into new tendencies of motion-based media art.
 
With video works by Sandra Becker01, Erdal Inci, Hara Katsiki, Hye Young Kim, Julia Murakami and Stephan Hilpert, Alan Smithee, Andre Werner

 
List of video works:
 
Sandra Becker01 DE Processing 2 min 2013
Erdal Inci TR Taksim Spiral 0,8s  2013 / Pictogram 1,4s  2013 / Hieropolis Amphitheatre 1,4s  2013 / Flood of Light 1,4s 2013 / Camondo Stairs 0,4s 2013
Hara Katsiki DE Starseed 2013
Hye Young Kim KR Unfulfilled Desire II Blindness 21 min 2013
Julia Murakami and Stephan Hilpert DE Mr. Blackburn 40s 2014 score: Darius Greene, World Premiere
Alan Smithee Are You Afraid Of … 2013
Andre Werner DE Opening Robert Rauschenberg 6 min 37s 1990
………………………………………….

Directors Lounge Screening:

Philip Widmann und Karsten Krause
Szenario

Thursday, 26 June 2014
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Szenario, a collaboration of the filmmakers Philip Widmann and Karsten Krause appears to be a documentation about a love affair; a chronicle of 3 months in fall 1970, when a married man called Hans starts an affair with his secretary, called Monica, also married.

The main character of the film could be called “the suitcase”, though, a collection of notes, photographs, tickets and other papers from a suitcase, apparently collected by “him”, the male lover. The notes conof diary entries, where Hans meticulously wrote down every date he met with Monica, how long they had sex, and in which position they had intercourse. He also added to the record the places and circumstances they met, yet and always in the spare lasistnguage of a book keeper or bank clerk. The typewritten notes are spoken by a female voice, while the film images show passages of urban landscape of Köln, mostly slow tracking shots, some of them from car, and both at night and at day time.

What looks like a straight documentary at first, however, turns out to be something altogether different if the viewer looks more precisely. It turns out to be a sophisticated narration that keeps irritating by indulging the viewer into the immersions of story telling on one hand, and showing doubts on its own media:
contradictions in sound, picture and story telling. The techniques of irritation or Brecht-like alienation effects start right from the beginning. It is thus worth to try a more close reading from the beginning again, of the opening scenes of the film. A young woman with large red glasses starts reading from a script. -*°°*-  Full text at richfilm.de

Artist Links:
http://www.workscited.de/

Links:
Directors Lounge
http://www.directorslounge.net
Full program details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de

Directors Lounge Screening:

Johanna Domke
with Marouan Omara
Cairo Times

Thursday, 29 May 2014
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Crop is an astounding video piece about a state-owned newspaper building in the center of Kairo. Filmed in 2012 shortly after the revolution in Egypt, the video represents an interesting, historic moment in time, and it is at the same time a reflection on image making and image representation in times of political changes regardless of local bounds or temporality.

Set at the press house of Al Ahram (the Pyramids), a conservative newspaper that has been the national official press organ since President Nasser, the viewer is guided to explore the rooms of the house from the top down, following its hierarchy of places, literally from the representative offices down to the cellars with printing machines and packaging of newspaper bundles. While the camera unfolds step by step the complexities of a building, a photo-journalist talks about the beginnings of photo reportage in Egypt. He tells us he missed the revolution staying at the hospital. He speaks about the restrictions photo journalism has had to face from its beginning both from a conservative islamic society, and a regime controlling every publication. At first the journalist seem to be one person, but that is a fiction. His narration actually is a composition of 19 statements of different interviewed journalists, whose opinions differ in complex ways. The sound track of the film is comprised of two separate layers: the ambient sound that goes along with the passage of places that we follow inside the building, and on the other side the voice-over of the interviewed journalist. This voice-over creates a real contrapuntal montage in the sense of Eisenstein’s statement on sound film, whereas the ambient sound creates a poetic flow of images, a narrative of space.

The film, a collaboration between the video artist Johanna Domke and the film director Marouan Omara, was in several ways a lucky moment. Domke had planned her residency in Kairo at Townhouse Gallery before the beginning of the Arabic revolution, and the filming itself, including all the preparations and necessary permissions, was only possible in that short period of time of changes before the new regime took control again. The film thus represents a unique time in history while at the same time it gives a comprehensible glimpse of what it is like to work as a journalist under the restrictions of censorship. As Johanna told me, the team always asked for where the censorship actually had taken place, and were always referred to a different department. There was no official censorship office or censorship management, it was just part of the system as a whole. In certain ways, the press house depicted in the film truly resembles Kafka’s castle, where the power never manifests. Watching the film on the other hand may also give the impression of utterly familiarity with the building and its subdivisions, its poetry of space, the familiarity of bureaucratic space. In “Poetics of Space” Gaston Bachelard talks about the philosophy of space using a big family house as an example, something I always felt to be imperfect at least in reference to modernity, and in certain ways, the film “Crop” completes the picture of a modern poetics of space.

The artist, Johanna Domke, will be available for Q&A.

Crop by Johanna Domke and Marouan Omara

Program:
Cairo Times 12:23 min, 2013
Crop 47:08 min, 2012

Artist Links:
www.johannadomke.net

Links:
Directors Lounge
http://www.directorslounge.net
Full program details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de

image

For the fourth year running, Directors Lounge answers the call to make its unique contribution to an exploration of the essence of Japan at the highly popular Düsseldorf festival called Japan Day, the largest of its kind worldwide.
Amidst an impressive presentation of cuisine and lectures, DL will attend to an audio-visual sally into Japan’s cultural being in the form of film art, as presenters in the Black Box cinema of the Filmmuseum. Not simply a sushi of well-worn superficialities, but a series of onscreen dives into the Japanese collective soul, cutting off distracting excess with the efficiency of a kaiken dagger.


Among these flickering outings will be Tetsuya Tomina’s “At The Last Stop Called Ghost Chimney,” an unsettling ride into an ominously persistent past in the form of four thermal power plant chimneys long gone but still present… to some eyes. Here, subtext rides along with three passengers whose manner and movement within darkened, compositionally stark spaces evokes the aesthetics of Manga as well as the masked formality of Noh. But this is just one of many; more awaits the avid Japanophile, conveniently closer than the distant isles themselves. Far Japan, not far at all. Directors Lounge is the Bullet Train to take you there. 

With films by Julia Kim Smith, Pedro Collantes, Rebecca Culverhouse, Akinori Okada and Daisuke Hagiwara, AUJIK, Simon Lereng Wilmont, Masanobu Hiraoka,Tetsuya Tomina ; curated by Julia Murakami and André Werner

Location:
Directors Lounge at the Black Box Cinema,
Schulstr. 4, 40213 Duesseldorf (map)
17 May 2014, 8 pm
Don’t miss the fireworks afterwards!

The program:

Julia Kim Smith  99 Luftballons 2 min 2s 2014

Pedro Collantes ES/NL/JP Serori 15 min 20s 2014
There is always a first time for everything, even for celery.
http://mizunonaka.com/serori

AUJIK SE/JP anxOxna 4 min 55s 2014
Trees structured as a neural network
Axon and Dendrites-branches connecting through multiple forms of synapses. Individually programmed receptors. Flexible synthetic neurotransmitters. Axon terminal with receptive chaos outcome .
Post synaptic density calibrated through external sentient impacts.
A pan-computational AI-system.
http://www.aujik.com

Simon Lereng Wilmont DK Chikara – The Sumo Wrestlers Son 32 min 20s 2013
The film follows the 10-year-old Japanese boy Chikara and his struggle to become a sumo wrestler. His father, Harumitsu, was a professional sumo wrestler from one of Tokyo’s most successful sumo club, so expectations surrounding Chikara are extremely high. Today his father owns a noodle shop where he works a lot. Their only time together is when they train Sumo wrestling. It’s a very valuable time for Chikara. Chikara wants to impress his father, but when he’s there Chikara get’s really nervous and everything seems to go wrong. The annual national Sumo Championship is approaching and it means everything to Chikara to do well, so his father will be proud of him.

Rebecca Culverhouse Kichigai 28 min 52s (pictured)
In a city that never sleeps, the party never dies…. KICHIGAI is the semi autobiographical story of a real night out – or to be more precise, a blur of surreal nights out in Tokyo, mixed together with a cast of crazy characters and manga style subtitles.

Akinori Okada and Daisuke Hagiwara JP Yaoyoro´s 3 min 45s
Some Japanese believe in an ancient philosophy called Animism (Yaoyorozu), which basically states that everyday objects have their own life stories. We have created frame animations (root: anima, meaning “life”) based on our interpretation of those stories. 八百万の神に感謝!
http://yaoyoros.com

Masanobu Hiraoka JP Land 3 min 41s 2013
Abstraction and metamorphoses

Tetsuya Tomina  At the Last Stop called Ghost Chimney 19 min 16s 2013 (pictured)
To spend more time with the bus driver she always liked, on the last day of school, a girl rides to the last stop called Ghost Chimney. Depending on the angle, it is looked one chimney or four chimneys. The girl and the bus driver dream of a world beyond the last stop… http://tetsuyatominafilm.com/

Directors Lounge monthly screenings

Thursday, 24 April 2014, 9pm

Z-Bar Bergstraße 2 10115 Berlin-Mitte

In attendance of the artist

Jonathan Rescigno works with a documentary approach towards his films, while transmuting into fictional stories. His starting point are day-to-day issues of his close surroundings, which then can shed the light to some greater matter. At the time he combines narrative methods with elements of early Avant-garde and Nouvelle Vague.

His search for a personal language and expression beyond the documentary school urged him to progress from earlier studies at film school to art school in Metz and further to “Film and Creative Documentaries Direction” in Strasbourg, where he finished his Master. His pictures combine a sensitive research of places and people with an essayistic image-oriented montage creating open and atmospherical depictions that give to the viewer space for interpretation.

In his films, Rescigno keeps coming back to themes concerning the region Lorraine, where he grew up. Lorraine used to be the prospering French coal mining area, connected with the German Ruhrgebiet by the so called Montanunion (European Coal and Steel Community) after the Word War II. With deindustrialization, the region has undergone difficult changes still under way. The films of the artist investigate questions of identity in the changing post-industrial landscape, and when the term migration is at risk to change meaning in French society.

Jonathan Rescigno verfolgt einen dokumentarischen Ansatz, den er aber zugleich verwandelt und fiktionalisiert. Ihn interessieren Geschichten des Alltags seiner Umgebung, die aber zugleich von allgemeiner Bedeutung sein können, und er verbindet so Mittel des narrativen, sozial engagierten Filmes mit Elementen der frühen Avantgarde und der Nouvelle Vague. Diese Suche nach einer eigenen Bildsprache brachte ihn auch dazu, von der Filmschule an die Kunsthochschule Metz zu wechseln und schließlich mit Film and Creative Documentaries Direction in Straßburg abzuschließen. Seine Bilder verbindet eine subtile Recherche von Orten und Menschen mit einem essayistischen Bildansatz in der Montage, der eher einer offenen atmosphärischen Beschreibung folgt und dem Betrachter den Spielraum zur eigenen Interpretation läßt, statt in dokumentarischer Manier Fakten zu konstruieren.

Der Künstler ist anwesend und wird in das Programm einführen. Mit anschließender Diskussion.

read more / mehr zu Jonathan Rescigno