Album Release of:
Sean Derrick Cooper Marquardt & Globoscuro – Musik Für Die Toten (2017)
by Hortus Conclusus Records
with texts by Miriam Glinker and Heike Klar, Anne Hahn & Odessa Selestina Marquardt

Directors Lounge Screening
Sean Derrick Cooper-Marquardt and Cecilia Chapman
Drone Drama – Music for the Dead
Thursday, 29 June 2017

21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

“Music For The Dead” originally arose as the third act of the Sean Derrick Cooper Marquardt’s Drone Drama Trilogy, which was previously released in three acts, on three seperate labels, and which includes “The Radiant Child : First Act The Awaking Assiduous Awareness”, “God`s DNA” and finally “Music For The Dead”.

The third act has been recently put to film by the director Cecelia Chapman and has now premired in the city of Cologne and soon at various international film festivals, the album Music For The Dead has been also released and translated in the following languages: English, Italian, Norwegian, Dutch, Croatian, French. This German Album Release is something completely different due to the fact that is has been re-worked, re-arranged and re-recorded with totally new compositions molded and shaped by the artistic embrace of Sean Derrick Cooper Marquardt and Emiliano Pietrini aka Globoscuro and also includes a pdf booklet with four stories by Anne Hahn, Heike Klar, Miriam Glinka & Odessa Selestina Marquardt plus a poem by Sean himself. To crown and wrap this album with another veil of beauty there is the ambigous and wonderful cover art created by the magnificent and talented italian photographer Linda De Luca. The album contains 13 tracks of variable duration between 1 minute and maximum 3 minutes (no second is allowed) that sail like a roaring turbine among sounds devoted to the musique concrete, electroacoustic, psychedelic, post-rock, dark ambient and noise. The sound passage seems to be metaphorize a polidimensional journey in which the listener encounters significances, geometries, emotions and visions that interweave and alternate creating a labyrinthic yet strangely well-defined landscape. Like stories inside the same story that fight to spread their desperate voice but far from the constraint of the word.

Directors Lounge Screening
Dagie Brundert
Ode an Sommer
Saturday, 27 May 2017

21:00
Z-Bar Bergstraße 2
10115 Berlin-Mitte

Ode an Sommer – Ode to Summer
Berlin’s cultural scene would not be the same, if filmmaker Dagie Brundert was not there. The artist started off in the 90’s with some female colleagues as FBI, Freie Berliner Ischen. With ironic and unconventional films they challenged established and artsy art forms, skewed films spiced up with resonances of Camp and Beat, as it reverberated in some young circles in the first decade after the breakdown of the wall. Since then, Brundert stuck to her guns of Super-8 filmmaking with admirable creative productivity. She records everyday occurrences, the obvious things on sight and the things offside, however always dispersing a positive message.

The new program at Z-Bar presents a number of brand new films, one premiere (“Widerstand”, 2017, resistance) and a few rare early films. “Ode an Juni 4 “ (2016, Ode to June), the film giving the name to this program, is one of the few medium long films by Brundert. And, it is part of her favorite seasonal project. She has planned to record a film about June every year. Film developing in biological developer, a trip to the film festival Hamburg, establishing a new dark room, a bath in lake Teufelssee and the hand written numbers of the days are some of the scenes of last years diary, all of which being hand-developed, digitally edited and underscored with summer tunes. It is the small things in the film, the joys of everyday life, which, condensed by a combination of time-lapse and short cuts, makes the film poetic and amiable. It is this delight about exceptional but unspectacular moments, which inform her films, and which still oppose the garish images of the media or the attempts of “going viral” on social media, and which still reminds me of the bearings of the Beats.

In a number of new films, goes back to humorous forms she used back in the past: narrated films (“Bin ich reich? Bin ich reich? Bin ich reich?…” 2015), using objects as characters ("Lametta” 2016), or games from childhood (potato stamps in “Kartoffel” 2013). Other films follow a more discriptive style. The savvy viewers and the friends, however, do not expect new experimental forms from Dagie, but they like to follow her frame of mind, the lighthearted way to look at life. Her films often have the effect of a line of a pop song that suddenly enters your mind and changes the way you look at yourself or your surrounding.

Dagie Brundert will be present for Q&A. Curated by Klaus W. Eisenlohr.

Artist Link:
http://www.dagiebrundert.de/
https://yumyumsoups.wordpress.com/

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Directors Lounge Screening
Thanos Chrysakis
Amber Gaze

Thursday, 27 April 2017
21:00
Z-Bar Bergstraße 2
10115 Berlin-Mitte

The artist, musician and composer Thanos Chrysakis was born in Athens. He lived for sixteen years in London until he moved to Belarus in 2015. He is a trained musician who performs his music internationally in festivals, in concert halls and alternative places. He always had a strong connection with images and thus has created his own videos, or has found people for sound/image collaborations. Since 2007 he operates the record-label ‘Aural Terrains’ focusing in electroacoustics, composed and improvised music.

The program thus presents the composer/musician – Thanos Chrysakis – working with his own visuals and with the audio-visual collaborations of film director Félix Brassier. In our perception of video, or film, of audio-visual material, sound guides the reception of images, sound creates the continuity of space and time or its disruption more than any visual effect, even though the sound editing rarely comes to the surface of our perception. Chrysakis with his sounds on the other hand loves to work with the thresholds of our perception, with the fragility and ambiguity of sounds, and the edges of discernibility. The images of his films, and of those of Brassier, thus play on a similar congenial level of ambiguity on the picture layer, as Chrysakis’ sounds. The visuals may even take up some of the functions, “music for film” traditionally has: a marker for the continuity of space and time. However, the stream of ambiguous consciousness between industrial urban spaces and dreamy imaginations the films provoke, are a product of a fine tuned balance of sound and image creation.

image
image

Artist Link:
http://auralterrains.com
http://www.auralterrains.com/chrysakis/en/bio/

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Snaps from the screening:
https://www.pinterest.de/directorslounge/directors-lounge-screenings-berlin/

photo: Klaus W. Eisenlohr

Directors Lounge Screening
Ana Bilankov
Night Riders

Thursday, 30 March 2017
21:00
Z-Bar Bergstraße 2
10115 Berlin-Mitte

Ana Bilankov, Berlin based artist with Croatian background, creates videos connected with peculiar places in different European cities, Moscow and New York, connected with the geographies and stories of those places, mostly interwoven with her own biography or experience. Her short films often combine a brittle visual poetry with rarified narratives on the soundtrack. Her training in art history and German studies in Zagreb together with her Master in Art in Context in Berlin seem to give her the intuition to pick out places and situations that become metaphors for things unspoken or stories untold. It may also have been her biography, which sensitized her for the hidden traces in human geographies, namely her escape from war while it spread over former Yugoslavia. The artist on the other hand calls it her “search for Roland Barthes’ punctum” in the geography of the city.

Her video pictures are conceived like extended snapshots that unfold, and become meaningful over time. Sound and text work complementary and associative to the pictures and are often from more divers sources than the image. When she points to the former Transatlantic slave trade connected with the sugar manufacturing in Bristol in her film “Sweet Home”, to the poisonous wreckage of Newtown Creek of East River NY in “New Town Future Film”, or to the story of an old broken Jewish House in Vienna (“I want to get out”), the artist never uses a traditional documentary style or storytelling. Instead, the films often comprise a poetic multi-layered audio-visual composition that leaves it open to the viewer to follow all the laid-out traces or to create their own associative connections.

Her film “U Ratu i Revoluciji / In War and Revolution” goes back to Croatia to visit her grandmother and to look for the traces of a book about education during the resistance against the Nazi occupation written by her grandfather, which disappeared as “communist and inappropriate” during political changes an the war of the early 1990s in Croatia. Her grandmother’s fading memories become a metaphor for those lost historical memories of the past, when books are eliminated from the libraries.

The artist will introduce the screening and will be available for Q&A. Curated by Klaus W. Eisenlohr

Artist Link:
http://www.anabilankov.com/

Links:
Directors Lounge   http://www.directorslounge.net
Richfilm   http://www.richfilm.de/currentUpload/
Z-Bar   http://www.z-bar.de

Snaps from our screening

Directors Lounge Screening
Urban Research – Private Affair
Thursday, 26 January 2017 | 21:00

Z-Bar | Bergstraße 2
10115 Berlin-Mitte

In the times of public intrusion into the private sphere, right wing populists and religious fundamentalists threatening the freedom of expression and diversity, and conservative politicians pressing for control and surveillance, the expressions of private life become a political affair again. Related to the slogan of 1968 “The personal is political”, the here presented films talk about personal or private affairs in relation to the public sphere and the urban space.

Many of the Urban Research films submitted in 2016 are dealing with private stories, that are related, in one way or the other, to the urban space and expressing the importance of freedom and solidarity for the divergent, the subversive and the liberal mind. The films present the small stories with high artistic aspiration, the nuanced views and the subjective diversity, which are even more important at times when populist positions start to replace distinguished sentiments in culture and politics.

A fine selection of Urban Research films shown at 48h Neukölln in addition to a brand new film by Penny Lane. And, films by Petra Lottje, Vladimir Turner, Rob Santaguida, Anna Okrasko, Doris Schmid, Salise Hughes, Eleonore de Montesquiou, and Ezra Wube

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Snaps from this screening

Directors Lounge Screening
James Edmonds
The Material Question
Thursday, 24 November 2016
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

“The cinema of James Edmonds (1983) explores the complexities of the real not as a mere substance named ‘reality’ but in its most fluctuating and Turnerian correlation, in those uncertainties that make it impossible to fix it in any specific point in space.”(Toni D’angela, La furia umana 28, 2016)

James Edmonds is an artist filmmaker from the UK living in Berlin and London. His practice centers on a personal poetics in which the nature of recording, when approached from the materiality of analogue film, offers a tangible surface for what is intangible and fleeting – our personal experience, inner worlds, thoughts and reflections.

He has presented screenings and exhibitions at various venues, project spaces, galleries and cinema events, including Fronteira Festival Brasil, The Temenos Screening Kino Xenix Zurich, Another Vacant Space Berlin, Mystetskyi Arsenal Lavra Kiev and ACCEA Armenia. Since 2015 he also curates the monthly film series Light Movement in Berlin.

PROGRAM
– Movement and Stillness, 2015, super 8, 11min, colour, silent
– Inside Outside, 2008/2015, super8, 6min, colour, soundtrack
– Sternwarten der Welt / Sun Documents, 2010-11/2016 (in progress), super8 double projection, 6min, colour, soundtrack
– OVERLAND, 2016, super 8, 22min, colour and black+white, soundtrack
– Patterns of Summer, (in progress), super8, 3 mins, colour, silent

Artist Link:
http://jamesedmonds.org
http://light-movement.blogspot.de

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Directors Lounge Screening

Bruno Gularte Barreto
5 Houses

Thursday, 3 November 2016
19:00

Blender & Co
Boddinstrasse 32
12053 Berlin
U8 Boddinstrasse

The Brazlian director and photographer Bruno Gularte Barreto comes to Berlin to present his new film project “5 Houses”. The idea of “5 Houses” revolves around trying to recreate childhood memories’ images, but it is also a journey through the lives of the people in a small town in the extreme south of Brasil.

5 HOUSES is a feature documentary project portraying the houses and lives of 5 different characters. They talk about life and death, memory, education, prejudice, violence and share their experiences and beliefs. Though they are very diverse people, they share a connection in their relationship with the director`s childhood memories. Each person and house to be portrayed was part of his upbringing throughout his childhood and formative years.

Besides being part of the same array of memories, these characters share another characteristic: the fact they are all, in their own way, “outsiders” in the somewhat narrow-minded place where they live.

During the film, a portrait is revealed, an image of the city itself and the way some people, even-though humble, can help change other people’s lives for the better. In the last house we have a fifth character, who is actually present in the other four segments in the figure of the director – an invisible observer who frames and chooses where, what and who to look at.

Original title: 5 Casas, English title: 5 Houses.
Director: Bruno Gularte Barreto
Producer: Jessica Luz
50 mins work-in-progress
English subtitles Brazil, 2016

Artist Link:
http://besourofilmes.com/projetos/
Vimeo.com/besourofilmes/5houses  password: 55555

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Blender & Co.  http://blenderandco.de

image

Q&A with the filmaker and curator | photo: Kenton Turk/DL

More pictures

Directors Lounge Screening
Urban Research – Spectra of Space

Thursday, 27 October 2016
21:00 ,
Z-Bar ,
Bergstraße 2,
10115 Berlin-Mitte

The idea of scale in architectural contemplations reflects on the meaning of the space, also scale connects with urban topology and contemporary ideas of social geography. Social, political, or personal impacts may be seen differently if seen from different point of views: looking from a global, national, municipal, personal, community-based or journalistic point of view.

These new films create spatial contemplations or film essays from Chicago, San Francisco, Berlin, New York, Canada, from a historical literature connection (Kerouac) or even the virtual space of a Si-Fi film series.
The screening presents a diversity of films connected with architecture, urban space and landscape from documentary to experimental, and will create an interesting visual dialogue about urban space in film.

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Snaps from our monthly Directors Lounge Screenings

Directors Lounge Screening:

Spatial Relations
Deborah Uhde and Melissa Faivre
Thursday, 28. July 2016
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Two young artists who recently moved to Berlin present their experimental video work. On a first view their work seems to be very similar as they use associative techniques of montage and editing, and both demand an active viewer who positively combines and completes the offered pictures to their own interpretation or, story.

This applies specifically to two of the films, “The Space In Between” by Melissa Faivre and “State of the Art of the State – a Dysfunctional Machine“ by Deborah Uhde. Both films seem to work with loosely connected images, which do not easily combine as a story and are brought together by rhythmic editing and a poetic film language. Both films deal with spacial relations, with the space between people and objects, between objects and exterior or interior space and the space between camera and subject.

The film by Melissa Faivre shows two domestic spaces and two people interacting in those spaces, mostly using cameras. One of the spaces has a large bed, a makeshift steel frame and two windows, the other one lots of electronic equipment. The reason for the interaction stays obscure, it may just be a spacial exploration. The gazes from and to the camera distorted by analogue and digital means to reveal secrets about the place or the people or about their relation and it creates some suspense. The interaction seems to follow some performative rule. The viewer is not really asked to analyze the fragments but to put together the pieces of distorted and rhythmically edited information to some visual-poetic experience.

Deborah Uhde’s piece “State of the Art of the State – a Dysfunctional Machine“ seems to be made of pieces of information about a space in a very different way. Views of a science campus, the “physikalisch-technische Bundesanstalt Braunschweig”, are being combined on a double screen and edited in associative ways. The rhythm of the pictures is slow and seems to follow the pace of a documented research, the cataloguing and search for art on the campus as the subtitles state. However, we rarely get to see art, at least no paintings or sculptures but strange constellations of buildings, containers, rulers, marks and construction signs, any of which could be part of some art project but very unlikely is so. The one object that looks very much like a modernist sculpture, a steel object that combines spheres and poles, apparently is an object for measurement as the viewer is informed by subtitles. Deborah’s film thus combines spatial views in a poetical and rhythmical way, but then it seems, she rather asks the viewer to critically engage and make their own distinctions between aesthetic and utilitarian spatial use.

Both filmmakers present a number of very different films, set between the documentary and experimental forms. A program of very fresh new experimental films from filmmakers living in Berlin and coming from France/Netherlands and Braunschweig/Germany.

Artist Link:
http://melissafaivre.com/
http://duhde.de

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

Impressions of the Directors Lounge Screening “Spatial Relations” with
Deborah Uhde and Melissa Faivre

Directors Lounge Screening
Urban Research Special
Topophilia – Landscapes and Harbours | Claudia Guilino

Thursday, 30 June 2016
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Two shorts and one feature about the interference of the technical world of shipping and oil with landscapes and the city. Twice the Port of Los Angeles is the starting point for visual exploration. One goes up north along the Trans-Alaska Pipeline, the other examines the harbor at night. The harbor of Veracruz on the other hand is the place for a histographical reconsideration of the Mexican harbor from a very personal point of view.

image


Topophilia by Peter Bo Rappmund
surveys the 800-mile length of the Trans-Alaska Pipeline, and travels alongside the conduit as it bobs above and underground from the Prudhoe Bay oil fields to its terminus at Valdez. The extreme linearity and continuity of the pipeline acts as a pivot point to reorganize the landscape and offers new and idiosyncratic ways to visually reconsider topography. The film confronts the extreme beauty of the North-American landscape with the seemingly safe infrastructure of oil transport.

image

Veracruz Without Ship by Teresa Delgado & Jakob Kirchheim. A documentary melodrama with privatizations and without lovers. A poetic walk through Veracruz, port of European exiles and Mexican oil, of melodrama and of the rhythm danzón. // Since 1938 Lázaro Cárdenas government offered political asylum to thousands of Spanish republicans who were fleeing war and persecution. They arrived to the port of Veracruz, unreachable paradise for the defeated who could not leave Spain. We revisit this myth of the grandparents and confront it with the present in 2014. In this year the PRI government is opening the doors to private investment of multinationals in a natural resource which Mexicans consider their own: oil. Oil plays an important role in the Gulf of Mexico and Mexican oil was nationalized by Cárdenas government in 1938.

image

Port Noir by Laura Kraning. Within the machine landscape of Terminal Island, the textural strata of a 100 year old boat shop provides a glimpse into Los Angeles Harbor’s disappearing past. Often recast as a backdrop for fictional crime dramas, the scenic details of the last boatyard evoke imaginary departures and a hidden world at sea.

image

Program addition:
We are deeply mourning the loss of our close friend Claudia Guilino and will show two videos by her

Stony Sleep  6 min 24s  2011
Abgesang, kupferfarben 3 min 52s 2009

Claudia Guilino was part of the Directors Lounge family from the early days, supporting our project with love and enthusiasm. Claudia passed away on June 26. She will be deeply missed.

Team Directors Lounge

Artist Link:
http://www.peterborappmund.name/
https://peterborappmund.exposure.co/
http://www.laurakraning.com
http://www.jakob-kirchheim.de/
http://www.agencia-tess.de

http://www.calla-mar.com/

Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de