Andre Werner, Jewel cases (Chat Noir), 2010

29.-31. October at the Zollverein world heritage site

We are exhibiting and screening at the contemporary art ruhr (C.A.R.), “a young art fair that can easily claim to have the most impressive venue of all German art fairs, the Sanaa cube, designed by Kazuyo Sejima and Ryue Nishizawa (SANAA)” (art resort). The glass cube inside the Saana cube will become the c.a.r. video lounge where we show selected highlights from The 6th Berlin International Directors Lounge along works from the participating galleries. Looking forward to meet you.

contemporary art ruhr (C.A.R.)  is an innovative and dynamic fair format. It has established two art fairs annually since 2006. With a media art fair in the summer and innovative art productions out of the ordinary: video and media art, installations, performances, environmental sculptures, multimedia projects and especially the field of contemporary photography. In autumn with an art fair for contemporary art – C.A.R. covers the entire spectrum of fine arts and their most important current influences.

The objective of contemporary art ruhr is to develop an arts marketplace by a unique conception that the Ruhr can call its own. Unbiased. Minimalist. Vibrant.

C.A.R. covers the entire spectrum of fine arts and their most important current influences.

2.-4. July at the Zollverein world heritage site

contemporary art ruhr (C.A.R.) is an innovative and dynamic fair format. It has established two art fairs annually since 2006.With a media art fair in the summer and innovative art productions out of the ordinary: video and media art, installations, performances, environmental sculptures, multimedia projects and especially the field of contemporary photograpy. In autumn with an art fair for contemporary art – C.A.R. covers the entire spectrum of fine arts and their most important current influences.

pictured: Andre Werner, The Dream Of The Japanese Beauty,  shown as part of the opening of the c.a.r. 09, the contemporary art Ruhr Foto: Matthias Duschner/Stiftung Zollverein