DROMOSPHÄRE, Thorsten Fleisch, Germany, 10 min 02s, HD, 2010
shown in German Premiere
A visual study of speed. The ephemeral phenomenon becomes palpable as a speed sculpture begins its relativity dance along space-time avenues lined with uncertainty trees.
It could be that the “Bravo!” calls that were heard from the audience as the title shots of the film came up were based on anticipation of seeing something by a filmmaker whose work has included the visually and conceptually astounding Gestalt (2003) or the slightly less riveting but nonetheless interesting Energie! (2007). Dromosphäre, however, doesn’t live up to the promise the maker of these two films invites. At the start, a black screen is marred only by beams of coloured light like an incomplete prismatic breakdown in a small portion to the right of the picture. The lightplay takes shape slowly before our eyes to the sound of an electronic beat, which scales a crescendo as the image claims more and more of the screen. The dominant colours are blood-orange and white, and seem to resemble a car, which the evolving form in fact turns out to be: a model of a white-paneled sports job circa 1960’s. The problem is, once the identification is confirmed, the film seems overlong in its exploration. Unlike the aforementioned films, this one seems to have a goal of sorts, i.e. the slow revelation of a recognizable form, which also gives it a finite quality that has to be observed. Considering the anticipation shown, the applause afterward also seemed less than wildly enthusiastic. Surely Fleisch has more to offer in the future. If this had been a debut or early work, he would have nothing or little to live up to. As it is, one expects progress or at least the maintenance of a certain level of inspiration.